Slave Attire



This is my narrative and relevant references from the Books where Slave Attire is mentioned.
It is not meant to be anything other than the facts of the matter. Arrive at your own conclusions.


I wish you well,
Fogaban



I have not attempted to list every imaginable variation of what a slave might wear. But I have listed quite a few.

After all, the main purpose of slave garments is not particularly to clothe the girl but more to 'set her off'.

And too, a girl might treasure a mere rag of a tunic more than a free woman her richest robes.
The main purpose of slave garments, of course, is not particularly to clothe the girl, for she need not even be clothed, as she is an animal, but to, as I have suggested, "set her off." In this sense slave garments may be as resplendent and complex as the robes of an enslaved Ubara, to be removed by the general who has captured her upon a platform of public humiliation, or as simple as the cords on a girl's wrists and a piece of rope knotted on her throat.
Additional functions of slave garments, of course, other than those of displaying the girl and making it clear to all how desirable she is, are to remind her, clearly, that she is a slave, which is useful in her discipline, and, also, interestingly, to stimulate, intensify and deepen her sexuality.
Guardsman of Gor     Book 16     Page 108

I watched her take the tiny garment in her hands, gratefully, joyfully.
It is interesting, I thought, how much such a small thing can mean to a girl. It was a mere slave tunic, a cheap, tiny thing, little more than a Ta Teera or camisk, and yet it delighted her, boundlessly. It was the sort of garment which free women profess to despise, to find unspeakably shocking, unutterably scandalous, the sort of garment which they profess to regard with horror, the sort of garment which they seem almost ready to faint at the sight of, and yet to Phoebe, and to others like her, in bondage, it was precious, meaning more to her doubtless than the richest garments in the wardrobes of the free women.
Magicians of Gor     Book 25     Pages 21 - 22

The slave, who as an animal is not entitled to clothing, and may be denied clothing altogether, if it be the wish of her master, is likely to find even a tunic, even a camisk, precious.
Kur of Gor     Book 28     Page 427
I also want to give credit for this section of ~The Gorean Cave~ to Lady Tay. It was her suggestion and considerable research effort that convinced me to add it here.




Click a heading to jump down to that topic.


Attire

Bras, Panties and Pantyhose
Camisk
Camisk - Turian
Chalwar
Clad Kajir
Haik
Hooded Cloak
Hunter's Catch
Kes
Kirtle
Red Hunter Slave Dress
Red Savage Slave Dress
Sirik
Slave Cloak
Slave Djellaba
Slave Girdle
Slave Leather
Slave Silk - Pleasure Silk
Slave Strip
Ta-Teera
Thrall Tunic
Tunic
Winter/Cold Weather



Adornments and Accessories

Belly Chain
Bina - Slave Beads
Body Chain
Body Hood
Buttons
Earrings
Fillets
Gag
Hook Bracelets
Nose Rings
Slave Bells
Slave Bracelets
Slave Hood
Slave Sack
Slave Strap
Slave Veil
Talmit







Attire
 


Bras, Panties and Pantyhose
To The Top

Gorean slave girls are commonly not permitted brassieres or undergarments.
Slave Girl of Gor     Book 11     Page 366

Certainly the dark-haired girl in the torn red pull-over had no longer been permitted her brassiere. It is common to permit a Gorean slave girl only one layer of clothing, if any. That they had been permitted to retain for the time what they now wore rather than, say, brassiere and panties, or nothing, was doubtless due only to the whim of the slaver who owned them.
Beasts of Gor     Book 12     Page 58

The next girl was a willowy blond Earth girl. She was sent to the block in what are regarded as the odd undergarments of Earth females. Both the upper undergarment and the lower were white. Her hands were braceleted behind her and the auctioneer, his whip in his belt, controlled her by the hair. She was hysterical. Her brassiere was first removed, then the panties. The latter garment, by Goreans, is regarded as a peculiarly strange one. It, silken and brief, is obviously a slave's garment, but it is closed at the bottom. It would take a man an extra moment to rape such a slave.
Beasts of Gor     Book 12     Pages 77 - 78

She slipped from the black slacks, and removed the black, buttoned top. She slipped from the panties and, in a moment, had discarded her brassiere. She was furious, but yet I could see, too, as doubtless could the others, that she was sexually charged. She was naked, before clothed men.
Explorers of Gor     Book 13     Page 159

Goreans, unhesitantly, regard such things as the brassiere and panties, or panty hose, as slave garments. This may be because such garments have been associated with Earth females brought to Gorean slave markets, garments which are sometimes permitted the girls during the early portions of their sale, or, perhaps, independently, because they are soft, sensual and slavelike. Earth girls who don such garments might be interested to know then that that they are putting things on their bodies which on Gor are taken to be the garments of slaves.
Guardsman of Gor     Book 16     Page 108

The brassiere had been simulated cleverly with soft white silk. Her beauty, soft, and almost as though protesting its confinement, strained against this silk. Too, between her breasts, this silk had been twisted and knotted, this making even more evident the sweet contours of her beauty, and the sturdy, silken restraint placed upon it. The panties, too, were simulated with white silk, which, in a narrow rectangle, had been wrapped twice about her hips and tucked in at her waist. There was no nether closure to this silk, of course. The Gorean slave girl is not permitted to shield her intimacies without the explicit permission of her master. Besides these two garments, intended, respectively, to suggest the brassiere and panties of an Earth girl, she still wore, of course, the light, narrow white scarf, this twisted and wound twice about her throat, the ends thrown over her left shoulder.
Guardsman of Gor     Book 16     Page 252

During the course of the evening, from time to time, at irregular intervals, some fifteen or sixteen girls had been offered, in open bidding, to the crowd. Some of these, at least initially, had been clothed, though often in little other than panties and a brassiere.
Savages of Gor     Book 17     Page 110

The girl now wore a brassiere, a garter belt and stockings. Too, beneath the narrow garter belt, in what was perhaps all indication of charming reserve, I could see silken panties.
"She is not really ugly," said Ginger.
"No," said Evelyn.
The girl watched in horror as the remains of her silken slip was cast upon the flames, causing them to spring up anew. Her Earth clothing, before her very eyes, piece by piece, was being destroyed. It was thus being made clear to her that she was making a transition to a new reality.
"No," she said, "please, no."
The auctioneer freed her stockings from the hooks and buttons on the four garter straps. In a moment the auctioneer had drawn the stockings from her legs, slipping them underneath the ropes on her ankles and discarding them in the flames. Then, after viewing her for a moment, he stepped behind her. He undid the two-hook back closure on the garter belt. This article of clothing, too, then, in a moment, was cast into the flames. She then hung before us clad only, save for the ribbon binding back her hair, in her brassiere and panties.
Savages of Gor     Book 17     Pages 117 - 118

One by one I removed the garments of the Tatrix. Then I stood before him clad only in undergarments of Earth, in a brassiere and panties.
Drusus Rencius nodded.
I removed the brassiere, and straightened my body.
"Excellent," he said.
I faced him.
"Now remove the last veil," he said.
I bent down and, in a moment, stepped from the panties.
Kajira of Gor     Book 19     Page 430

Her breasts, of course, in which so much of her luscious femaleness is naturally manifested, do not escape notice in her bondage. They are as open and available to the master as any other part of her. After all, he owns the whole slave. Accordingly she knows that they, so sweet and soft, so delicious and marvelous, so wonderful and exciting, will, like the rest of her, without a second thought, be submitted to attentions appropriate to her status. For example, they may be lovingly handled, and kissed and caressed by the master however and as long as he pleases. Too, they might be emphasized and accentuated by various forms of garments and bindings. The tying of slave girdles, for example, and the arrangement of binding fiber, often has this subtle, delicious feature in mind. Too, of course, they may be confined, if one wishes, in open brassieres of cord, or netting.
Mercenaries of Gor     Book 21     Pages 389 - 390

She wore a white brassiere, which hooked in the back, and had two narrow shoulder straps. She then unfastened the black skirt, and dropped it about her ankles, then stepped away from it, and lifted it to the side.
Interest was expressed in the garter belt. She freed the stockings from it, unfastened it, put it to the side, and then, sitting on the marbled floor, rolled the stockings down, and removed them.
As she removed the stockings, there could be no mistaking the loveliness of her thighs, the sweet bend of her legs at the knees, the turn of her calves, these lovelinesses each, slowly, in turn, being bared.
She then, again, stood. She was clad now in only brassiere and panties, except, of course, for two bracelets, and a locked ring, on her left ankle.
"Loosen your hair," he said.
She did so, and shook it loose. It was very beautiful, dark brown, and glossy. She swept it back behind her with two hands, with a lovely gesture.
There were expressions of pleasure, of admiration, from several of those in the room.
She was clearly a lovely slave.
She went to slip the two golden loops from her left wrist, but the young man shook his head, almost imperceptibly, negatively. She stiffened, but obeyed.
Those it seemed would be left her, at least for the time.
She slipped the shoulder straps of the brassiere over her arms, where they hung for a moment, and then she pulled the brassiere down.
"Excellent," said the fellow in the blue and yellow robes.
She blushed.
Even had she not known the word, she would have understood him, from his tone, and expression, only too well.
Some of the men struck their left shoulders. Some of the women present uttered small sounds of admiration.
She realized suddenly that that of which they approved, her body, was not hers, that her body, and, indeed, she herself, was another's property.
She turned the brassiere about, until the hooks were before her, at her belly.
She then unhooked it and dropped it with her other garments.
Suddenly tears sprang to her eyes and she looked piteously to the young man in the curule chair, that he might leave her some sop to her modesty, that he would not be merciless with her, not publicly, not before this throng.
But his eyes were stern.
Then she stood bared before him, a naked slave, save for two loops of gold on her left wrist, and an anklet of steel.
Prize of Gor     Book 27     Pages 74 - 75




 


Camisk
To The Top

She wore only a single garment, a long, narrow rectangle of rough, brown material, perhaps eighteen inches in width, drawn over her head like a poncho, falling in front and back a bit above her knees and belted at the waist with a chain. "Yes," she said with shame. "I wear the camisk."
Outlaw of Gor     Book 2     Page 102

The brand is normally concealed by the briefly skirted slave livery of Gor but, of course, when the camisk is worn, it is always clearly visible, reminding the girl and others of her station.
Outlaw of Gor     Book 2     Page 187

I saw the other girls some thirty yards away, in camisks, the cheapest of slave garments, laughing and talking to one another, disporting themselves as pleasurably as free maidens might have.
Outlaw of Gor     Book 2     Pages 188 - 189

The common camisk is a single piece of cloth, about eighteen inches wide, thrown over the girl's head and worn like a poncho. It usually falls a bit above the knees in the front and back and is belted with cord or chain.
Nomads of Gor     Book 4     Page 90

The camisk is a rectangle of cloth, with a hole cut for the head, rather like a poncho. The edges are commonly folded and stitched to prevent raveling. Under Targo's direction the girls, happily, cut and stitched their own camisks. The camisk, I am told, normally falls to the knees, but Targo made us cut ours considerably shorter.
. . .
The camisk, I am told, was at one time commonly belted with a chain. However, the camisks that I have personally seen, and those we were given, were belted with a long, thin strap of leather binding fiber. This passes once around the body, and then again, and then is tied, snugly, over the right hip.
. . .
I wondered why Targo permitted us camisks. I think there were probably two reasons. The first is that the camisk, in its way, is an incredibly attractive garment. It displays the girl, but provocatively. Moreover, it proclaims her slave, and begs to be torn away by the hand of a master. Men thrill to see a girl in a camisk. Secondly, I think Targo gave us camisks to make us even more his slaves. We desperately wanted to have something to cover ourselves, be it only a camisk.
Captive of Gor     Book 7     Page 64

I gratefully donned the camisk, fastening it tightly about my waist with the double-loop of binding fiber.
Captive of Gor     Book 7     Page 94

I felt my body luxuriously protesting the rough fabric of the camisk. I wondered what man would tear it from me.
Captive of Gor     Book 7     Page 98

I felt the rough fabric of the camisk on my body as I moved,
Captive of Gor     Book 7     Page 112

With a small knife he cut the binding fiber that belted her camisk. The camisk now flew behind her, like a cape, about her neck, whipped by the wind.
Captive of Gor     Book 7     Page 229

Both had been placed in belted woolen camisks, an open-sided garment sometimes worn by female slaves.
Beasts of Gor     Book 12     Page 162

The common camisk is a simple rectangle of cloth, containing, in its center, a circular opening. The garment is drawn on by the girl over her head and down upon her shoulders; it is worn, thus, like a poncho; it is commonly belted with binding fiber or a bit of light chain, something with which the girl may be secured, if the master wishes.
One city in which the common camisk is favored, generally, is Tharna.
Guardsman of Gor     Book 16     Page 107

Many slaves are kept in the common camisk, a narrow, poncholike garment, little more than a long, narrow rectangle of cloth, generally cheap cloth, with an opening for the head. It is drawn on over the head and is normally belted snugly with a double loop of binding fiber. It is, of course, open-sided.
Players of Gor     Book 20     Page 255

the common camisk . . . is little more than a rectangle of cloth with an opening for the head in the center. It is worn over the head and tied at the waist, normally with one or more loops of binding fiber. The common camisk, of course, has no nether closure.
Witness of Gor     Book 26     Page 103

A slave tunic, you see, leaves little to the imagination. Other advantages, too, adhere to such garments. For example, as they commonly lack a nether closure, with the exception of the Turian camisk, the slave is constantly, implicitly, advised of her delicious vulnerability as a property, and reminded of one of her major concerns, which is to please the master, instantly and without question, to the best of her ability, in any way he may wish.
Swordsmen of Gor     Book 29     Page 19

I thought Cecily would look nice in a camisk, a common camisk. The camisk is much more revealing than the common slave tunic. It is a one-piece, extremely simple, suitable for slaves, narrow, poncholike garment. It is slipped over the head. It is usually belted with a loop or two of binding fiber. One may use the binding fiber to bind the slave. It is tied with a slip knot, which may be loosened with a casual tug, at the left hip, as most masters are right-handed. The common camisk is seldom worn publicly, in cities. One supposes the reasons for that are clear.
Swordsmen of Gor     Book 29     Page 40

The common tunic, of course, covers the brand. A side-slit tunic makes the brand easily detectible, and certain other garments, as well, for example the common camisk.
Swordsmen of Gor     Book 29     Page 81

She wore the common camisk, a brief rectangle of cloth slipped over the head, belted with a double loop of binding fiber. The camisk was of thin, clinging, yellow rep-cloth. It was ragged and soiled. The tavern, you see, was not truly a high tavern. If she stood, it would fall midway to her thighs. It was closely belted, as required, a bow knot at the left hip, where it would be convenient to a right-handed master. The double loop is to allow for an adequate length, enough for a variety of ties.
Mariners of Gor     Book 30     Pages 6 - 7

Girls are often sent to the wharves, when ships are due, in camisks adorned with advertising, to solicit patronage for their masters' establishments.
Mariners of Gor     Book 30     Page 122

He had then had her reveal herself, removing the thin, clinging, camisk of yellow rep cloth.
Mariners of Gor     Book 30     Page 464




 


Camisk - Turian
To The Top

The Turian camisk, on the other hand, if it were to be laid out on the floor, would appear somewhat like an inverted "T" which the bar of the "T" would be beveled on each side. It is fastened with a single cord. The cord binds the garment on the girl at three points, behind the neck, behind the back, and in front at the waist. The garment itself, as might be supposed, fastens behind the girl's neck, passes before her, passes between her legs and is then lifted and, folding the two sides of the T's bar about her hips, ties in front. The Turian camisk, unlike the common camisk, will cover a girl's brand; on the other hand, unlike the common camisk, it leaves the back uncovered and can be tied, and is, snugly, the better to disclose the girl's beauty.
Nomads of Gor     Book 4     Page 90

The Turian camisk was also now occasionally seen. It is rather like an inverted "T," the bar of the "T" having beveled edges. It passes from the girl's throat, in front of her body, between her legs, and is then lifted, pulled tight, and wrapped about the thighs. Its single cord fastens the garment behind the girl's neck, behind her back and then, after passing about her body once or twice, ties in front. It conceals her brand but exposes her back. The cord makes it possible to adjust the garment to a given girl. Tightening the cord accentuates her figure. The Turian camisk is worn tightly. Turians are barbarians. In private pens in Ko-ro-ba, where we were taken daily for training, we were taught to wear the garment. A master might require it of us. It is said that only a man knows how to tie a Turian camisk on a girl properly. There are many such sayings on Gor.
Captive of Gor     Book 7     Page 160

The Turian camisk is a bit like an inverted "T", the bar of which has beveled edges. It goes about the neck, down, low, and is drawn up, and snugly, usually quite snugly, between the legs, the beveled bar ends of the "T" then being folded closely forward about the girl's flanks and being tied, tightly, at her belly.
. . .
In the Turian camisk, because of its snugness and adjustment cords, it is easy, as you might well imagine, to leave little doubt as to the girl's beauty.
Guardsman of Gor     Book 16     Page 107

The other, more elaborate, was a "Turian camisk." It is rather like an inverted "T" where the bar of the "T" has beveled edges. The foot of the "T" ties about the neck and the staff of the "T" goes before one, and then, between the legs, is drawn up snugly behind and tied closed in front where the beveled edges of the bar of the "T," wrapped about the body, have been brought forward, meeting at the waist. It may also have side ties, if permitted, strings that tie behind the back, to better conceal, in one sense, and, in another, better reveal the figure. We must know how to put on such a garment, for example, and well, if one is thrown to us. This Turian camisk differs from the common camisk.
Witness of Gor     Book 26     Page 103

Few slave garments, as noted, contain such a closure. An exception is the Turian camisk.
Prize of Gor     Book 27     Page 344

A slave tunic, you see, leaves little to the imagination. Other advantages, too, adhere to such garments. For example, as they commonly lack a nether closure, with the exception of the Turian camisk, the slave is constantly, implicitly, advised of her delicious vulnerability as a property, and reminded of one of her major concerns, which is to please the master, instantly and without question, to the best of her ability, in any way he may wish.
Swordsmen of Gor     Book 29     Page 19

One wore the Turian camisk, rare in the north,
Swordsmen of Gor     Book 29     Page 408

The slaves were now warmly garmented, though not, of course, as might have been free women. The robes of concealment in winter are much like those of gentler weathers, save for darker colors, more absorptive of, and retentive of, heat, heavier materials, some additional layering, and such. In the case of the slave a short, long-sleeved jacket, coming high on the hips, its length resembling that of a slave tunic, is worn over an undershirt. They are also put in trousers, belted with binding fiber. Whereas in the case of the free woman her legs are concealed within her enclosing garmenture, in the case of the slave, even in the winter, it is clear, however warmly they may be clothed, that she has legs, and that this is to be obvious to the scrutiny of men. The wrappings of the legs and calves is wool, over which leather is wrapped. The last garment is a warm, hooded cloak, which may be held closely about the body.
Swordsmen of Gor     Book 29     Pages 530 - 531




 


Chalwar
To The Top

From one side a slave girl, barefoot, bangled, in sashed, diaphanous, trousered, chalwar, gathered at the ankles, in tight, red-silk vest, with bare midriff, fled to him, with the tall, graceful, silvered pot containing the black wine. She was veiled.
Tribesmen of Gor     Book 10     Page 88

From the side there hastened to him another girl, a fair-skinned, red-haired girl. She, too, wore veil, vest, chalwar, bangles, collar.
Tribesmen of Gor     Book 10     Page 89

She wore a high, tight vest of red silk, with four hooks; her midriff was bare; she wore the sashed chalwar, a sashed, diaphanous trousered garment, full but gathered in, closely, at the ankles; she was barefoot; her wrists and ankles were bangled; she was veiled; she was collared.
Tribesmen of Gor     Book 10     Page 105

Her bare midriff, long, between the high, hooked vest of red silk and the low-slung, sashed chalwar, about her hips, some inches below her navel, was quite attractive.
Tribesmen of Gor     Book 10     Page 108

"More, Masters?" asked the girl, kneeling beside the low, tem-wood-inlaid table. She wore a high, red-silk vest, swelling, fastened with a single hook; diaphanous red-silk chalwar, low on her hips, gathered at the ankles; two golden bangles on her left ankle; collar.
Tribesmen of Gor     Book 10     Pages 156 - 157




 


Clad Kajir
To The Top

Among the Wagon Peoples, to be clad Kajir means, for a girl, to wear four articles, two red, two black; a red cord, the Curla, is tied about the waist; the Chatka, or long, narrow strip of black leather, fits over this cord in the front, passes under, and then again, from the inside, passes over the cord in the back; the Chatka is drawn tight; the Kalmak is then donned; it is a short, open, sleeveless vest of black leather; lastly the Koora, a strip of red cloth, matching the Curla, is wound about the head, to hold the hair back, for slave women, among the Wagon Peoples, are not permitted to braid, or otherwise dress their hair; it must be, save for the Koora, worn loose.
Nomads of Gor     Book 4     Page 30

She wore the Sirik and was, of course, clad Kajir, clad in the Curia and Chatka the red cord and the narrow strip of black leather; in the Kalmak, the brief vest, open and sleeveless, of black leather, and in the Koora, the strip of red cloth that bound back her brown hair.
Nomads of Gor     Book 4     Page 282




 


Haik
To The Top

The haik, black, covers the woman from head to toe. At the eyes, there is a tiny bit of black lace, through which she may see. On her feet were soft, black, nonheeled slippers, with curled toes; they were decorated with a line of silver thread.
. . .
She turned her head, briefly, to look at me; I saw her eyes, dark, through the tiny opening in the haik, through the tiny, black-lace screen, about an inch in height and four inches in width.
Tribesmen of Gor     Book 10     Pages 44 - 45

or concealed from head to toe in the dark haik of the Tahari, peeping out through a tiny screen of black lace.
Magicians of Gor     Book 25     Page 341




 


Hooded Cloak
To The Top

The slaves wore light, hooded cloaks, the length of which, when they stood, would fall slightly above the hem of their brief slave livery. The garments had rather large sleeves and fastened with a cord under the chin. It protected them from the sun to some extent but even more from the glances of the curious. Some of the girls, judging by the stripes on the hoods and cloaks were White Silk, and others Red Silk.
Assassin of Gor     Book 5     Page 147

Each of the girls was also issued a light slave cloak, the hem of which fell a bit above the hem of her livery, but which had a hood. Elizabeth's was red with white stripes, Virginia and Phyllis' white with red stripes.
Assassin of Gor     Book 5     Page 214

Then, regally, in black cloaks, with hoods, three women, two girls and their leader, climbed the stairs to the block, backs straight, heads high, their features concealed in the folds of the hood. Each of them had her wrists braceleted before her body, and each slave chain led to the slave bracelets of one of the girls; the lead girl, probably Elizabeth, was on a somewhat shorter chain than the two behind her, one on each side, doubtless Virginia and Phyllis. Their black cloaks were rather like ponchos with hoods, save that there were slits through which their arms emerged. The length of the cloak, which was full and flowing, fell to their ankles.
Assassin of Gor     Book 5     Page 298




 


Hunter's Catch
To The Top

"Go swiftly to the room of preparation," he said. "Garb yourselves as the hunter's catch."
. . .
I reached into a chest for hunters' netting. It is a stout cording, used to net medium-sized game. Its mesh was spaced at some two horts, about two and a half inches.
Cunningly we twisted netting about us, from our throats to our brands, high upon our thighs. We garbed ourselves as "the hunter's catch."
Slave Girl of Gor     Book 11     Page 300

A girl may be "set off," of course, and beautifully, even if, technically, she is not clothed. She may be garbed, for example, in netting, as the "Hunter's Catch"; or she may be bedecked in jewels and leather, and shimmering chains, dancing under a whip in a tavern in Port Kar; or she may have flowers intertwined in her chains, as when she is awarded to a victor in public games in Ar.
Guardsman of Gor     Book 16     Page 108




 


Kes
To The Top

For a male slave, or Kajirus, of the Wagon Peoples, and there are few, save for the work chains, to be clad Kajir means to wear the Kes, a short, sleeveless work tunic of black leather.
Nomads of Gor     Book 4     Page 30




 


Kirtle
To The Top

she wore an ankle-length white kirtle, of white wool, sleeveless, split to her belly.
Marauders of Gor     Book 9     Page 81

Gunnhild, angrily, with two hands, jerked her kirtle to her waist, and stood straight, proudly before the Forkbeard, her breasts, which were marvelous, thrust forward. How magnificent she seemed, the heavy black iron at her throat riveted. "None of them can please you," she said, "as well as Gunnhild!"
Marauders of Gor     Book 9     Page 85

Only a kirtle of thin, white wool, split to the belly, stood between their beauty and the leather of their masters.
Marauders of Gor     Book 9     Page 100

the Forkbeard had had his girls drop their kirtles low upon their hips, and hitch them high, that their beauty might be well exhibited, from their collars to some inches below their navels, and, too, that the turns of their calves and ankles might be similarly displayed;
Marauders of Gor     Book 9     Page 143

"Kirtle yourself, wench," said the Forkbeard to Gunnhild, throwing her, her kirtle. She fixed it as it had been before, low on her hips, hitched above her calves.
Marauders of Gor     Book 9     Page 154

Her kirtle was of the finest wool of Ar, dyed scarlet, with black trimmings.
Marauders of Gor     Book 9     Page 156

She lifted the hem of her kirtle of scarlet wool about the ankles of her black shoes and turned away.
Marauders of Gor     Book 9     Page 157

"Drop your kirtles, and hitch them up!"
Laughing, once more proud of their bodies, the girls of the Forkbeard insolently slung their kirtles low on their hips, and hitched them high over their calves, even half way up their delightful thighs.
Marauders of Gor     Book 9     Page 157

Near him, beside the high seat, sat his woman, Bera, her hair worn high on her head, in a kirtle of yellow wool with scarlet cape of the fur of the red sea sleen, and, about her neck, necklaces of gold.
Marauders of Gor     Book 9     Page 194

She was the only one in the hall who was not stripped, though, to be sure, her kirtle, by order of her master, was high on her hips, and, over the shoulders, was split to the belly.
Marauders of Gor     Book 9     Page 277




 


Red Hunter Slave Dress
To The Top

Before he had left he had had them sew northern garments for themselves, under his instruction. From the furs and hides among the spoils at the wall they had cut and sewn for themselves stockings of lart skin, and shirts of hide, and a light and heavy parka, each hooded and rimmed with lart fur. Too, they had made the high fur boots of the northern woman and the brief panties of fur, to which the boots, extending to the crotch, reach. On the hide shirts and parkas he had made them sew a looped design of stitching at the left shoulder, which represented binding fiber. This designated the garments as those of beasts. A similar design appeared on each of the other garments. About their throats now, too, they wore again the four looped strings, each differently knotted, by means of which a red hunter might, upon inspection, determine that their owner was Imnak.
Beasts of Gor     Book 12     Pages 175 - 176




 


Red Savage Slave Dress
To The Top

She wore a short, fringed, beaded shirtdress. This came high on her thighs. It was split to her waist, well revealing the sweetness and loveliness of her breasts. It was belted upon her with a doubly looped, tightly knotted rawhide string. Such a string is more than sufficient, in its length, and in its strength and toughness, to tie a woman in a number of ways. She was barefoot. About her left ankle there was, about two inches high, a beaded cuff, or anklet. Her garb was doubtless intended to suggest the distinctive, humiliating and scandalously brief garment in which red savages are sometimes pleased to place their white slaves. One difference, however, must surely be noted. The red savages do not use steel collars. They usually use high, beaded collars, tied together in the front by a rawhide string. Subtle differences in the styles of collars, and in the knots with which they are fastened on the girls' necks, differentiate the tribes. Within a given tribe the beading, in its arrangements and colors, identifies the particular master. This is a common way, incidentally, for warriors to identify various articles which they own.
Savages of Gor     Book 17     Page 102

She wore a black, tight, off-the-shoulder bodice and a short, black, silk skirt, decorated with red thread and ruffles, and stiffened with crinoline. A black ribbon choker was placed behind the steel collar on her throat. A red ribbon, matching the decorations on her skirt, was in her hair. She had not been permitted stockings or footwear. Such things are normally denied the Gorean slave girl. Her costume, like that of Ginger, the short, fringed, beaded shirtdress of tanned skin, with the beaded anklet, intended to resemble the garb in which red masters sometimes saw fit to clothe their white female slaves, if permitting them clothing, suggested its heritage of other times and other places.
Savages of Gor     Book 17     Page 115




 


Silken Sheets
To The Top

The girls, too, were given lovely silken sheets, which they might hold about themselves. Naturally they kneel humbly before the men, for they are not only females, but slaves.
Mariners of Gor     Book 30     Page 405




 


Sirik
To The Top

both girls wore the Sirik, a light chain favored for female slaves by many Gorean masters; it consists of a Turian-type collar, a loose, rounded circle of steel, to which a light, gleaming chain is attached; should the girl stand, the chain, dangling from her collar, falls to the floor; it is about ten or twelve inches longer than is required to reach from her collar to her ankles; to this chain, at the natural fail of her wrists, is attached a pair of slave bracelets; at the end of the chain there is attached another device, a set of linked ankle rings, which, when closed about her ankles, lifts a portion of the slack chain from the floor; the Sirik is an incredibly graceful thing and designed to enhance the beauty of its wearer; perhaps it should only be added that the slave bracelets and the ankle rings may be removed from the chain and used separately; this also, of course, permits the Sirik to function as a slave leash.
Nomads of Gor     Book 4     Page 42

She stood to one side, fastened in a sirik. I saw the graceful metal at her throat, and on her wrists and ankles, the long, light chain dangling from the collar, to which the slave bracelets and ankle rings were attached.
Hunters of Gor     Book 8     Page 298

Rissia picked up the discarded sirik. She reached over Ilene's head and fastened the collar about her throat, the chain dangling before her body. Then, reaching about her, she fastened Ilene's hands in the bracelets attached to the chain, confining them before her body. She then drew the chain between her legs and under her body and fastened the two ankle rings, attached to the chain, on her ankles. Ilene knelt stripped in sirik.
Hunters of Gor     Book 8     Page 315

"Put Slave Beads in a Sirik," said my master. Swiftly my master's new girl was locked in the light, gleaming Sirik. The collar clasped her throat; a chain dangled from the collar; her small wrists were locked in the slave bracelets fixed on the dangling chain, and the dangling chain, itself, looped down to a short chain and pair of ankle rings, to which it was gracefully fastened at a sliding ring. The ankle rings were then closed about the lovely ankles of Slave Beads, and locked. She was helpless in Sirik.
Slave Girl of Gor     Book 11     Page 158

The man brought a Sirik, and locked it on my throat, and about my wrists and ankles. Then, with another chain, looping it through the Sirik chain which fell from my Sirik collar to my braceleted wrists and confined ankles, he secured me to a heavy ring, passing one end of the looped chain through the ring and then, with a heavy padlock, closing the open end of the loop.
Slave Girl of Gor     Book 11     Page 379

I could not determine the exact arrangement of the chains, coiled as they were. There seemed, however, to be a longer chain, which was a base chain, and two smaller, subsidiary chains. At one end the base chain was attached to a rather small neck ring, but suitable for closing about a woman's neck; at the other end it was attached to one of the subsidiary chains, about a foot long, and terminating on each end with a ring; those rings looked as though they might fit snugly about a woman's ankles; the other subsidiary chain seemed to be placed about two feet or so below the, neck ring; at its terminations were smaller rings, which looked as though they might close snugly, locking, about a woman's wrists.
"What is that?" I asked.
"It is called a sirik," he said.
Kajira of Gor     Book 19     Page 126

It was a chaining system of that sort called a sirik. My chin was thrust up and I felt the golden collar locked on my throat. Almost at the same time my wrists, held closely together before me, were locked helplessly in the wrist rings. In another instant my ankles, held, were helpless in the ankle rings. A chain then ran from my collar to the chain on, my wrist rings and from thence, the same chain, to the chain on my ankle rings. My ankle-ring chain was about twelve inches in length, and my wrist-ring chain was about six inches in length. The central chain, where it dangled down from the wrist rings, lay on the floor before the throne, before it looped up to where it was closed about a central link of the ankle-ring chain. This permits; the prisoner, usually a slave, to lift her arms. She is thus in a position to feed herself or better exhibit her beauty to masters in a wider variety of postures and attitudes than would otherwise be the case. The point of the sirik is not merely to confine a woman, but to confine her beautifully.
Kajira of Gor     Book 19     Page 186

Too, sometimes, for days before a night like this she wears the sirik. I had very seldom been in sirik, though I had worn one in my training once or twice, so that I might be instructed in the strict limitations it would impose on me, and how I might, nonetheless, move in it, if it were set to suitable widths, in a way pleasing to masters. The full sirik consists of a collar and three chains. One of these chains, a long, vertical chain, attached to the collar, dangles downward. To it are fastened two horizontal chains, one, from its attachment point near the lower belly, terminating in slave bracelets, wrist-rings, or manacles, and the other, from its attachment point at the end of the dangling chain, usually lying on the floor, or ground, terminating in shackles or ankle-rings. Parts of this arrangement may function separately, of course, for example, the long chain as a leash, the horizontal attachments as, say, slave bracelets or ankle shackles. Too, in many siriks, the chain widths are adjustable. In that way the latitudes of movement accorded to the slave may be enlarged or reduced, as the master pleases. They are, as many other things in the slave's life, under his exact governance. In the harshest adjustments of the sirik the girl, in effect, is in close chains; in the freer adjustments, she may move with considerable grace and beauty; indeed, in some siriks, it is possible for her to dance. In the sirik adjustments often prescribed for a girl before a night like this she can scarcely walk, the vertical chain's lower attachment point being drawn up between her ankles, which are then separated by as little as three or four inches, and her wrists, too, before her body, are even more closely confined.
Dancer of Gor     Book 22     Pages 165 - 166

But she was in sirik.
The metal collar was fastened on her throat. From it a long chain, dangled downward. To this chain, near her waist, was attached another chain, terminating at each end with a wrist ring, into which rings her wrists had been placed and locked. At the end of the chain dangling from the collar, to which the wrist-ring chain was attached, was an ankle-ring chain, terminating at each end with an ankle ring, into which her ankles had been placed and locked. The neck chain was rather long and if she were to stand some of it would have lain upon the deck. The device permits of numerous adjustments. As it was now adjusted, her wrists had some twelve inches of play, her ankles some fourteen inches of play. The smallness of her steps had been a function of the current adjustment of her ankle chaining.
Renegades of Gor     Book 23     Pages 360 - 361

"One is a slave garment," he said, "which seems more locally cultural than her current tunic, and the other is a coiling of chain and rings, which, I am told, is a sirik."
Mariners of Gor     Book 30     Page 530

Then she raised her head, and said, "Sirik me."
The neck ring was snapped about her throat first, rather like a Turian collar. Next her small wrists were clasped in the wrist rings, each at the terminus of the short, horizontal chain, attached to the vertical chain dangling from the collar, which vertical chain, continuing, looped down to the floor where, attached to it was the second horizontal chain, each end of which terminated in an ankle ring. Two snaps, and she was ankle bound. The sirik is a lovely and practical chaining arrangement. The two horizontal chains may be used in conjunction with the vertical chain, or independently, in which case one might have wrist shackles, in which the wrists might be confined before or behind the slave, and ankle shackles. Her wrists, now confined before her, were some six inches apart, and her ankles were something like a foot apart, permitting her to shuffle, or walk with small, careful, measured steps, but not allowing her to run. The vertical chain may function independently, as well, as a chain leash, or a tethering device, by means of which the slave might be secured to a slave ring, a tree, a stanchion, or such. The length of the vertical chain, which may loop to the floor when the slave's hands are lowered, is also long enough to permit her, her hands lifted, to feed herself.
Mariners of Gor     Book 30     Page 533




 


Slave Cloak
To The Top

When they were finished they would be put naked in slave cloaks and, fastened together in throat coffle, conducted back to their holding cages near the spice wharf.
Guardsman of Gor     Book 16     Page 234




 


Slave Djellaba
To The Top

At a watering hole, from a nomad, I purchased Alyena a brief second-hand, black-and-white-striped, rep-cloth slave djellaba. It came high on her thighs. This was that she would have something in which to sleep. She was permitted to wear it only for sleep.
Tribesmen of Gor     Book 10     Page 72

I would then throw her her brief djellaba against the desert cold, and order her to a position of sleep. On the mat, toward morning, she would pull the hood over her face, fold her arms and pull up her legs, knees bent; the djellaba came far up her thighs;
Tribesmen of Gor     Book 10     Page 81




 


Slave Girdle
To The Top

"Soon, my lovely daughter, you will learn the delicate, lascivious draping of slave garments and the tying of slave girdles, in such a way as to accentuate your beauty for the pleasure of a master.
Mercenaries of Gor     Book 21     Page 177

Her breasts, of course, in which so much of her luscious femaleness is naturally manifested, do not escape notice in her bondage. They are as open and available to the master as any other part of her. After all, he owns the whole slave. Accordingly she knows that they, so sweet and soft, so delicious and marvelous, so wonderful and exciting, will, like the rest of her, without a second thought, be submitted to attentions appropriate to her status. For example, they may be lovingly handled, and kissed and caressed by the master however and as long as he pleases. Too, they might be emphasized and accentuated by various forms of garments and bindings. The tying of slave girdles, for example, and the arrangement of binding fiber, often has this subtle, delicious feature in mind. Too, of course, they may be confined, if one wishes, in open brassieres of cord, or netting.
Mercenaries of Gor     Book 21     Page 389

I had even been taught the tying of slave girdles, in such a way as to emphasize, and sometimes more than subtly, my figure.
Dancer of Gor     Book 22     Page 155

The tying of slave girdles, with such silk, and otherwise, to emphasize the girl's figure and make clear her bondage, is an art in itself.
Dancer of Gor     Book 22     Page 225

"I do not know anything of being a slave," she said, "should it be done to me! I know nothing of pleasing men! I do not even know the draping of tunics, the tying of slave' girdles!"
Renegades of Gor     Book 23     Page 165

"Yes, much as they might learn to drape tunics, to be slave girdles, to wear slave strips, to use perfume, to apply cosmetics, and so on."
Vagabonds of Gor     Book 24     Page 270

The cord over Marcus' shoulder, of course, was the slave girdle, which is used to adjust the garment on the slave. Such girdles may be tied in various ways, usually in such ways as to enhance the occupant's figure. Such girdles, too, like the binding fiber with which a camisk is usually secured on a girl, may be used to bind her.
Magicians of Gor     Book 25     Page 21

"This cord," said Marcus, "may function as a slave girdle. Such may be tied in several ways. You, as a slave, doubtless know the tying of slave girdles."
Magicians of Gor     Book 25     Page 28

"And this," said Marcus, loosening the cord, "is perhaps the most common way of wearing the slave girdle." He then took the forward ends of the cord, again free, and this time crossed them, over the bosom, before placing them again through the loop at the back, drawing them forward and, once more, fastening them, perhaps more snugly than was necessary, before her.
Magicians of Gor     Book 25     Page 30

Phoebe was quite beautiful in the tunic. It was adjusted on her by a slave girdle, in one of its common ties.
Magicians of Gor     Book 25     Page 34

The slave girdle too, tied high on her, crossed, emphasized the loveliness of her small breasts, I was pleased for Marcus. He had a lovely slave.
Magicians of Gor     Book 25     Page 87

Her tiny fingers began to fumble with the knot of the slave girdle, on her left. Then she had the knot loose and pulled away the girdle. She then, hastily, struggling a little with it, pulled the tunic, a light pullover tunic, off, over her head. "The slave obeys her master!" she gasped, frightened, kneeling before him.
He then tied her hands behind her back with the slave girdle and thrust the tiny tunic, folded, crosswise, in her mouth, so that she would bite on it. He then pushed her head down to the stones.
Magicians of Gor     Book 25     Page 134




 


Slave Leather
To The Top

There are many types of slave garments, of course, other than such obvious categories as tunics, camisks and Ta-Teeras. Pleasure silks, in all varieties, and swirling, diaphanous dancing silks might be mentioned. The leathers forced on the slave maidens of the Wagon Peoples, taught to care for the bosk and please their masters, too, might be called to mind.
Guardsman of Gor     Book 16     Pages 107 - 108

I had been, in my training, put in various costumes, mostly, I suppose, for my masters to see what I looked like in them, such as the common and Turian camisk, and the scandalous garb prescribed for Tuchuk slave girls.
Dancer of Gor     Book 22     Page 155




 


Slave Silk - Pleasure Silk
To The Top

There are many types of slave garments, of course, other than such obvious categories as tunics, camisks and Ta-Teeras. Pleasure silks, in all varieties, and swirling, diaphanous dancing silks might be mentioned.
Guardsman of Gor     Book 16     Pages 107 - 108

Slave silk, and certainly that sort which is commonly worn in     Page taverns and upon occasion in brothels, when the girls are permitted clothing there, is generally diaphanous. It leaves little doubt as to the beauty of the slave. Some girls claim they would rather be naked, claiming that such silk makes them "more naked than naked," but most girls, and I think, even those, too, who speak in such a. way, are grateful for even the wisp of gossamer shielding it provides against the imperious appraisals of masters, even though it must be pulled away or discarded instantly at a man's whim. Too, I think most girls know that they are very beautiful in such silk, and this, I suspect, is why they love it, and treasure it so.
. . .
There are a large number of ways in which slave silk is worn. It can be worn, for example, on the shoulder or off the shoulder, with high necklines or plunging necklines, in open or closed garments, tightly or flowingly, and in various lengths. Sometimes it is put on the girl only in halters and G-strings, or mere G-strings. Sometimes it is done, too, in strips wound about her body. The tying of slave girdles, with such silk, and otherwise, to emphasize the girl's figure and make clear her bondage, is an art in itself. Often, too, and as usually in paga taverns, it is worn in brief tunics. Most of these are partable or wraparound tunics. Such may be removed gracefully.
Dancer of Gor     Book 22     Pages 224 - 225

The silks of tavern girls are usually brief and diaphanous.
Mariners of Gor     Book 30     Page 7




 


Slave Strip
To The Top

A string was knotted about her waist. Over this string, in the front, there was thrust a single, simple narrow rectangle of vulgar, white rep-cloth, some six inches in width, some twelve inches in length.
Beasts of Gor     Book 12     Page 79

"Here," she said, handing me the narrow strips, knotted together, taken from the hem of her skirt. "Roll it. Twist it in your hands. It will be stronger. That is it. Good. Now tie it about your waist."
I fastened this fragile, narrow, improvised cordlike belt of twisted and rolled cloth about me, knotting it at the left hip. It was a slip knot, such that masters might remove it at a tug.
"Here," she said, handing me the strip of cloth she had torn from her bodice.
I placed it carefully, gratefully, the loose end inside, next to my belly, over the rolled cloth. I smoothed it out.
"I see that you know how to insert a slave strip in a belly cord," she said.
Dancer of Gor     Book 22     Page 379

The work tunics of Mina and Cara had been thrust back, over their arms, and torn down. The remains of the bodices of these tunics now hung back about their wrists. The remainder of the garments, in front, torn apart, hung low on their bellies, below their navels. Their breasts were very beautiful, and the line of their waists, and the beginning of the flare of their hips. Too, their skirts, and Tupita's, too, and the slave strips, or G-strings, of Tela and myself had been lifted up, or aside, and let fall again, perhaps to see if we were depilated, or shaved, or if such cloth might conceal some defect.
Dancer of Gor     Book 22     Pages 384 - 385

She was very beautiful there, bare-breasted, her neck in the slave collar of Ionicus, about her hips and thighs the brief shreds of the skirt of her work tunic, that tunic sacrificed that I might have at least the little I wore, a slave strip thrust in a narrow belt of rolled cloth.
Dancer of Gor     Book 22     Page 413

Tuka had knelt before him, clad only in a slave strip and belt of rolled cloth, her wrists crossed and bound behind her back, fastened closely to her crossed, bound ankles!
Dancer of Gor     Book 22     Pages 429 - 430

I hastily adjusted the rolled cloth belt and the slave strip, tucking it in.
Dancer of Gor     Book 22     Page 435

In chagrin I found my "garments," the slave strip and belt. I knelt back, and put them on.
Dancer of Gor     Book 22     Page 446

He removed the cloth belt and slave strip from me and tossed them, too, to the side, among his things.
Dancer of Gor     Book 22     Page 449

I was naked. He had not given me clothing, even the belt of rolled cloth and the slave strip, which he had earlier removed, when I had been bound, after the departure of Mirus and Tupita, they with the tharlarion and wagon.
Dancer of Gor     Book 22     Page 455

"This garment you are wearing," I said, "what is, in effect, a Chatka; I am shortening and transforming into two slave strips." I drew the long strip before the cord in front back over the cord so that it would no longer hang midway, or about midway, between her knees and ankles but was now about eighteen inches long. The garment then looped below her body. I then cut the garment a bit behind and below the cord in front. I then moved her about and treated the garment similarly in the back, drawing the strip back over the cord so that it was now only about eighteen inches long, and then cutting it off a bit below and behind the cord. She now wore two slave strips, each about eighteen inches long, one over the cord in front, one over it in back.
Renegades of Gor     Book 23     Pages 160 - 161

Also, I had not yet seen fit to accord her the luxury of clothing, such as I might manage, even so much as a cord and slave strip.
Vagabonds of Gor     Book 24     Page 251

"I am thinking," I said, "of giving you a slave strip, perhaps two."
"But I am not a slave," she said.
"A free woman, a captive, may be put in such," I said.
"I do not understand," she said.
"Your breasts are beautiful," I said. "I think I will, accordingly, keep them bared.
Vagabonds of Gor     Book 24     Page 287

A cord was about her waist, snugly. It was fastened with a bow knot on her left. The knot, being on the left, was not only convenient for her, reaching across her body, perhaps at a captor's or master's command, but was readily at hand, as well, for the attentions of a right-handed captor or master. In either case, the bow knot, of course, loosens with a casual tug. Over the cord, in front and back, were two narrow slave strips.
Vagabonds of Gor     Book 24     Page 300

From about the wagon, and about the concealing canvas, timidly, and yet beautifully, leashed, in a belly cord, a mere lace, and a narrow, yellow slave strip, her hands behind her, probably braceleted, came a beautiful young woman.
Vagabonds of Gor     Book 24     Page 425

I had only twice, in my training, in my costuming, and silking, and such, worn a garment with a nether closure. The first was no more than a long, narrow silken rectangle thrust over a belly cord in front, taken down between the legs, drawn up snugly, and then thrust over the same cord in the back.
Witness of Gor     Book 26     Page 103

"Perhaps," I said, somewhat maliciously, "the next time, if the pit master permits us a repetition of this adventure, I will march you thought he streets as a bare-breasted slave, permitted only a string and slave strip."
. . .
"But the important thing, really, about slave garments," I said, "whether they are the riches of gowns, with perhaps a slit in them through which a thigh must be revealed, or the tiniest of strings and slave strips, is that they are just that, slave garments. It is their meaning, primarily, which renders them provocative, that they are slave garments, that she who wears them is slave."
Witness of Gor     Book 26     Page 345

The common slave strip is a single, narrow, dangling piece of cloth anchored in binding fiber, double-looped about the waist of the slave. It is usually tied snugly, to accentuate the figure of the slave. It is fastened with a slip knot that it may easily, with a tug, be undone. The binding fiber, of course, is long enough to bind the slave, hand and foot, or, if one desires, to serve as a leash, the slave strip then usually folded and placed between the slave's teeth, which she dare not drop. Sometimes the binding fiber, in its double loop, is looser, that it may ride low on the hips. The point of this is to exhibit the navel of the slave, which, in Gorean, is known as "the slave belly."
Swordsmen of Gor     Book 29     Page 229




 


Ta-Teera
To The Top

As I turned, hurrying, suddenly, frightening me, I realized the Ta-Teera had scarcely concealed me.
Slave Girl of Gor     Book 11     Page 135

I wore the scandalously brief, torn, hooked, sleeveless Ta-Teera, which so displayed a girl's charms.
Slave Girl of Gor     Book 11     Page 137

"Remove the Ta-Teera," he said to me. I sat up, unhooked it, and slipped it over my head, putting it to the side.
Slave Girl of Gor     Book 11     Page 171

To be sure, it was not easy to respect a woman who wore only the scandalous and sensuous Ta-Teera, and whose throat was locked in the lovely, exciting collar of a slave. How could one see such a woman, truly, except as a slave?
Fighting Slave of Gor     Book 14     Page 138

"In the Ta-Teera though," she said bitterly, "it is sometimes like being more naked than naked."
Fighting Slave of Gor     Book 14     Page 148

"I am only a half-naked slave," she said, "in a Ta-Teera and collar.
Fighting Slave of Gor     Book 14     Page 150

Her breasts, swelling within the pathetic restraint of the Ta-Teera, made me want to cry out with pleasure.
Fighting Slave of Gor     Book 14     Page 169

She wore the Ta-Teera, the slave rag, and a collar.
Rouge of Gor     Book 15     Page 38

One of the most exciting slave garments, if the slave is permitted clothing, is the Ta-Teera, or, as it is sometimes called, the slave rag. This is analogous to the tunic, but it is little more, and intentionally so, than a rag or rags. In it the girl is in no doubt as to whether or not she is a slave. Some cities do not wish girls in Ta-Teeras to be seen publicly on the streets. Some masters put their girls in such garments only when they are camping, or in the wilds. Others, of course, may prescribe the Ta-Teera for their girls when they are within their own compartments.
Guardsman of Gor     Book 16     Page 107

The other, more elaborate, was a "Turian camisk." It is rather like an inverted "T" where the bar of the "T" has beveled edges. The foot of the "T" ties about the neck and the staff of the "T" goes before one, and then, between the legs, is drawn up snugly behind and tied closed in front where the beveled edges of the bar of the "T," wrapped about the body, have been brought forward, meeting at the waist. It may also have side ties, if permitted, strings that tie behind the back, to better conceal, in one sense, and, in another, better reveal the figure.
Witness of Gor     Book 26     Page 103

Others were clad in what appeared to be rags, some little more than castoffs, which might have been soiled even, from use in the kitchen, others in rags which, I think, were actually scandalous ta-teeras, artfully arranged rags, intended to well display the women placed in them.
Witness of Gor     Book 26     Page 148

She wore a ta-teera, a slave rag.
Witness of Gor     Book 26     Page 262

One wore the Turian camisk, rare in the north, and two were in cleverly contrived ta-teeras, a form of garment which some think of as "slave rags."
Whereas some slaves, indeed, say scullery slaves, garbage slaves, or such, may be clothed, if at all, in no more than a tiny rag, in any shred of cloth, perhaps one soiled from the soot and grease of the kitchen, to conceal their nudity, the subtler ta-teera is carefully tied or sewn. It is carefully wrought, artfully designed, to accomplish two objectives, first, to seem to convey the thought that the slave is a low slave, and one of little value, one worthy of no more than brief, demeaning rags, though she may in actuality be a prized, high slave, and, secondly, to well exhibit the charms of the slave, such things accomplished by the brevity and openness of the garment, as by, say, a short, uneven hem, ragged at the edges, a slit hem, showing a flash of thigh, as though inadvertently, and by, say, a rent here, a gap there, and so on. I noted the eyes of several men on the ta-teera-clad slaves, a master's inspection, a Gorean male's inspection, of which the slaves pretended to be oblivious.
Swordsmen of Gor     Book 29     Page 408




 


Thrall Tunic
To The Top

To one side, tall, broad-shouldered, stood a young male thrall, in the thrall tunic of white wool, his hair cropped short, an iron collar on his throat.
Marauders of Gor     Book 9     Page 86




 


Tunic
To The Top

How beautiful they were in their brief slave tunics, with the loop on the left shoulder.
Captive of Gor     Book 7     Page 69

There was also sand on her brief, white woolen slave tunic.
Hunters of Gor     Book 8     Page 21

She, like Cara, wore a brief, sleeveless slave tunic of white wool, her hair, too, bound back with a fillet of white wool.
Hunters of Gor     Book 8     Page 65

More literally, the expression tends to be based on the fact that the brief slave tunic of the south, the single garment permitted the female slave, is often silk.
Marauders of Gor     Book 9     Page 144

I had given her a brief, woolen slave tunic, which came high about her hips; it was sleeveless; it was split to the belly, belted with binding fiber.
Marauders of Gor     Book 9     Page 290

I could see the lovely curves of the interior cleavage of her breasts, revealed in the parting of the rough slave tunic.
Marauders of Gor     Book 9     Page 294

As for the girl, he had promptly, to her horror, had her clothing removed and had had her put in a brief rep-cloth slave tunic and a rude neck-ring of curved iron, that she would not escape and, anywhere, could be recognized as a slave.
Explorers of Gor     Book 13     Page 11

She wore a tan slave tunic, sleeveless, of knee length, rather demure for a bond girl. It did, however, have a plunging neckline, setting off the collar well.
Explorers of Gor     Book 13     Page 141

Most, however, permit the girl some garment, usually a brief, sleeveless, one-piece slave tunic.
Fighting Slave of Gor     Book 14     Page 148

Like the other slave tunics, mine was sleeveless.
Fighting Slave of Gor     Book 14     Page 237

The most common Gorean garment for a slave is a brief slave tunic. This tunic is invariably sleeveless and, usually, has a deep, plunging neckline. It may be of a great variety of materials, from rich satins and silks to thin, form-revealing, clinging rep-cloth. Camisks are favored in some cities.
Guardsman of Gor     Book 16     Page 107

She wore a brief, silken slave tunic, fastened with a single tie at her bosom. A single tug frees the tie and allows the garment to be parted for the view and pleasures of a master.
Kajira of Gor     Book 19     Page 197

He then replaced the whip on the table and handed me, from a basket, two tunics. They were folded, and washed, and brown. "Thank you, Master," I said. I held them close to me. I would later discover that they were rather common slave tunics, brief, with no nether closure. Too, they were sleeveless, slit at the sides, and with a plunging neckline. On the front of the left shoulder there was a design, in white and yellow, bearing what I would later learn was an inscribed "Mu." This was a design, I would later learn, which was common to many of the different enterprises of Mintar. "Mu" is the first letter of the name Mintar. White and yellow, or white and gold, are the colors of the merchants. The tunic had nothing specific to the mills, of Mill 7. Such a tunic might have been worn by girls laboring or serving in almost any of his holdings. It was thus, in a broad sense, a company tunic.
Kajira of Gor     Book 19     Page 269

"You have been insolent," he said, "and seem to have forgotten that you are a slave."
"Yes, Master," she said, frightened, putting her head down.
"Accordingly," said Boots, "you are herewith instructed to remove a panel of material, four horts in width, and curved at the top, near your waist, from the skirts of your slave tunics at the sides, thus well revealing both thighs to the waist, or almost to the waist. In this fashion, in a balanced manner, your thighs will be exposed to the view of free men. In this fashion, too, of course, your brand will be always clearly visible. Perhaps in this way you will be more likely to keep it in mind that you wear it, and what it means."
"Yes, Master!" she said.
Players of Gor     Book 20     Pages 254 - 255

She wore a brief slave tunic, with a neckline that plunged to her belly. The soft, interior curvatures of her breasts could be seen within the opening of the garment.
Mercenaries of Gor     Book 21     Page 224

It was a brief slave tunic, slit deeply at the hips, with narrow shoulder straps, little more than strings.
Dancer of Gor     Book 22     Page 155

Some tunics, however, like some regular slave tunics, have a disrobing loop, usually at the left shoulder, where it may easily be reached by both a right-handed master and a right-handed slave. A tug on the disrobing loop drops the tunic to the girl's ankles, also gracefully.
Dancer of Gor     Book 22     Page 225

It was a sleeveless, pullover tunic of brown rep cloth. It was generously notched on both sides at the hem, which touch guarantees an additional baring of its occupant's flanks.
Magicians of Gor     Book 25     Page 21

The girl wore a modest slave tunic, which muchly covered her.
Magicians of Gor     Book 25     Page 257

Too, I smoothed down the skirt of the tiny tunic. It was so brief! It was little more than a rag! That garment did not suggest, either, that I had been free. As mentioned, it had no nether closure. This is common with slave garb. The delicious, most intimacies of the slave are commonly left unshielded. She is to be open, and know herself open, to the master; this reality contributes to her sense of vulnerability, and informs, enhances, suffuses, and considerably deepens the rich emotionality of her nature. She is to be ready for the master at any time of the day or night, and in any place or manner which he may indicate. This helps her to keep in mind what she is.
Witness of Gor     Book 26     Pages 102 - 103

Today she wore a simple brown slave tunic. It was a brief, sleeveless, pullover tunic with a deep V-neck. In virtue of such a tunic a free man has little difficulty in conjecturing the delights of a slave's figure. The skirt was also cut at the sides. This made it easier to spread the knees in kneeling.
Witness of Gor     Book 26     Page 402

She wore a tiny slave tunic. It was light, white, and silken. It came high on her thighs. At the left shoulder, where it would be convenient to a right-handed man, there was a disrobing loop.
Prize of Gor     Book 27     Page 60

There are no pockets, of course, in a slave tunic. Similarly, naturally, there is no nether closure in such a tunic, as one of the purposes of such a tunic is to remind the slave that she is to be instantly, readily available to men.
Prize of Gor     Book 27     Page 311

She then sat in the basket, and tried to pull the slit sides of the tunic more about her. She was extremely conscious of the absence of a nether closure in the garment. Few slave garments, as noted, contain such a closure.
Prize of Gor     Book 27     Page 344

A slave tunic can be quite fetching on a woman. To be sure, they are designed for that purpose. They display the legs, usually generously, and often the thighs, and do little to conceal the bosom, and her soft, fair shoulders. They leave little to the imagination, and what little they leave calls attention to what is concealed in so delightful and provocative a fashion that the tunic is almost an invitation to its own removal. Some feel that a slave tunic can make a woman look even more naked and vulnerable than when she is stripped. Such tunics, too, despite their brevity, lack a nether closure. In this way, the slave is reminded in yet another little way that she is to be always at the convenience of the master.
Kur of Gor     Book 28     Page 96

What a lovely, skimpy little thing is a slave tunic, thought Cabot. How tiny, how clinging, how revealing, and how easily removed!
Kur of Gor     Book 28     Page 362

The Gorean slave tunic not only leaves little doubt about the sex of its occupant, but it proclaims it blatantly.
Kur of Gor     Book 28     Page 698

She wore a Gorean slave tunic.
It was a brief, gray shipping tunic, from the ship of Peisistratus. It had a number inscribed on the upper left side, "27.
. . .
The girl before me was fetching in the shipping tunic, but that was not surprising as such tunics, even such as hers, a shipping tunic, are not designed to conceal the charms of their occupant.
The Gorean slave tunic, incidentally, is a form of garment with several purposes. In its revealing brevity and lightness it well marks the difference between the slave and the free woman, a difference of great consequence on Gor.
Swordsmen of Gor     Book 29     Page 18

A slave tunic, you see, leaves little to the imagination. Other advantages, too, adhere to such garments. For example, as they commonly lack a nether closure, with the exception of the Turian camisk, the slave is constantly, implicitly, advised of her delicious vulnerability as a property, and reminded of one of her major concerns, which is to please the master, instantly and without question, to the best of her ability, in any way he may wish. The slave, on her part, too, cannot help but find such garments arousing. In their way they serve to ignite and stoke the slave fires in her lovely belly. It is no wonder slaves often find themselves at the feet of their master, kneeling, and begging. Too, such garments are supposed to make it difficult to conceal weapons. There is no place in such a garment, for example, for a dagger. To be sure, it can be a capital offense for a slave to touch a weapon without a free person's permission, so there is little danger of the slave's attempting to conceal a weapon in the first place. But the garment, too, makes it difficult, or impossible, to conceal a roll, a purloined larma, or such. When the slave shops, if she is permitted to use her hands, and is not sent out back-braceleted with a coin sack tied about her neck, she commonly holds the coins clenched in her fist, or, not unoften, either, holds them in her mouth. Such garments are cheap, too, of course, and require little cloth. Too, many are designed with a disrobing loop, by means of which the garment may be easily removed, to be swept from her, or dropped, to fall about her ankles, depending on the garment. The loop is usually at the left shoulder, as most masters are right-handed.
Swordsmen of Gor     Book 29     Page 19

The common tunic, of course, covers the brand. A side-slit tunic makes the brand easily detectible, and certain other garments, as well, for example the common camisk.
Swordsmen of Gor     Book 29     Page 81

Indeed, the typical Gorean slave tunic is a great deal more modest than much of what might be routinely encountered at poolside in various resorts, hotels, spas, and so on.
Swordsmen of Gor     Book 29     Page 201

because most masters are right-handed. Similarly the disrobing loop of certain tunics is at the left shoulder, presumably for the same reason.
Swordsmen of Gor     Book 29     Page 222

A slave tunic leaves little to one's imagination.
Swordsmen of Gor     Book 29     Page 303

Also, it is difficult to conceal weapons in a slave tunic. Indeed, the slave herself is scarcely concealed.
Swordsmen of Gor     Book 29     Page 335

She was clothed, in a brief, pressed, white tunic.
Swordsmen of Gor     Book 29     Page 405

Much may be concealed beneath the "Robes of Concealment," but a slave tunic conceals almost nothing.
Swordsmen of Gor     Book 29     Page 489

"Consider her in the rep-cloth tunic," I said. "It is a slave garment. It conceals little. Surely you find her attractive."
Swordsmen of Gor     Book 29     Page 514

She wore a brief ship's tunic, sleeveless, brown, slit at the hips, with a deep neckline, a feature by means of which certain aspects of her value might be the more helpfully assessed.
Mariners of Gor     Book 30     Page 38

Seremides had had her don a slave tunic, and you know what such things are."
"Yes," I said, "I see one."
She perhaps referred to the extraordinary brevity of such a garment, its capacity to cling to a slave's body, its brazen scantiness, its shameful display of the slave's body as that of the animal she is, the lack of a nether closure, that she may know herself at the pleasure of masters, and such.
Mariners of Gor     Book 30     Page 44

Fortunately, the tunic of a sandal slave, which I had adopted, was ample enough to permit the assumption of such a position without any undue compromising of my modesty. Still, even within the heavy, opaque, shielding of my garmenture, the position was obviously that of a female, recognized as a female, before a man.
Mariners of Gor     Book 30     Pages 55 - 56

She wore a brief, revealing tunic, cut at the sides, with a disrobing loop.
Mariners of Gor     Book 30     Page 77

The tiny tunic, of rep cloth, clung about her.
Mariners of Gor     Book 30     Page 189

While we were at table, the girls, as expected, had served. They had been clad in modest tunics.
Mariners of Gor     Book 30     Page 195

I could no longer detect her long, dark hair, where it had fallen loosely about her white tunic.
Mariners of Gor     Book 30     Page 206

How delightful they were, in their tiny tunics.
Mariners of Gor     Book 30     Page 246

She was in a light, brown, soiled work tunic, of simple rep-cloth, little more than a rag, which clung about her beauty.
Mariners of Gor     Book 30     Page 278

The tunic she wore was fetching, if only because there was so little to it. It was high on her thighs, especially the left thigh, for her brand was evident. The hems were ragged. In places it was rent. It was muchly stained and soiled. In front it was torn to her belly.
Mariners of Gor     Book 30     Page 279

Both were now cleaned and tended, both brushed and combed, and both now in a fresh, pressed tunic.
Mariners of Gor     Book 30     Page 300

She wore a light, white, sleeveless tunic, slave short. She had exciting arms and legs. The metal collar encircled her neck. The rep-cloth of the tunic left few of her charms to the imagination.
Mariners of Gor     Book 30     Page 312

Regarding them, kneeling before us, pleading, in their tiny, form-clinging tunics, and close-fitting collars, I was again impressed with the quality of the ship's kajirae.
Mariners of GGor     or Book 30     Page 325

The clothing permitted to the slaves, considering their status as livestock, was rather ample, as the tunics, their single garment, extended to the center of the calf, as opposed to being high on the thigh, and often cut at the hip. Further, the tunics were rather coarse, and opaque. They were sleeveless, of course, and their simplicity left no doubt that they were slave garments.
Mariners of Gor     Book 30     Pages 368 - 369

"May I wear a tunic?" she asked.
"Yes," I said. "The blue tunic, the short one, with the ragged hem, of rep-cloth."
"Thank you, Master," she smiled.
I thought that would turn some heads in the market. It is pleasant to witness the admiring glances which might fondle one's slave, as she busied herself on my business in the market. Sometimes I took her out, leashed, on the promenade, her hands braceleted behind her. Occasionally on such outings I permitted her a tunic. The tunic I had prescribed for her today was the tiny one, of blue rep-cloth. It would not hurt for idlers and passers-by to guess, from the color of her scrap of clothing, that she was a Scribe's girl.
Mariners of Gor     Book 30     Page 479

And how fetching she was, barefoot, in the brief, ragged tunic of blue rep-cloth.
She had clutched the coins in her hand.
Had she been natively Gorean she would probably have carried them in her mouth.
When the fellows in the market saw the color of the tunic they would guess, I supposed, and correctly, that she was the property of a Scribe.
Mariners of Gor     Book 30     Page 488

I moved the long Pani tunic up, on her left side, to the hip. I saw then that I was mistaken; she was not important. She was well marked, with the kef. She was then only a slave. I replaced the tunic so that, as before, the hem was across her ankles. I myself liked a shorter tunic on a slave, as the legs and thighs of a chattel are exciting. Also, the shorter tunic helps her to better understand that she is a slave.
Mariners of Gor     Book 30     Pages 517 - 518

"I do not much care for that tunic," I said, "it is too long, too heavy, too opaque. A scrap of silk would better remind her that she is a slave."
Mariners of Gor     Book 30     Pages 522 - 523

The first thing I would have done was discard the long, heavy, opaque Pani tunic, which seemed quite inappropriate for a slave, at least in good weather, given what a slave was.
Mariners of Gor     Book 30     Page 530

The camisk is less acceptable to free women, but they reconcile themselves to the camisk on the grounds that the female slave is so worthless that it is acceptable for her to be camisked. The female serving slave of a free woman is likely to be modestly tunicked, whereas the slave of a free man is likely to be tunicked in such a manner as to make it clear to other men that she was worth buying.
Mariners of Gor     Book 30     Page 539

"She is quite pretty," I said. "The tunic is a bit long, is it not."
"I think so," said Callias.
This would not be unusual, of course, as few tunics are tailored to an individual slave. Given the common looseness, and drapery, of a tunic, a number of different slaves might wear the same tunic, which would be indifferently fetching on most of them. Many slaves, of course, once they have a tunic, will do their small, mysterious things to the garment in such a way that it seems designed for themselves alone. Some masters, too, of course, will take their slave to one of the Cloth Workers, and have one or more tunics altered to, or even made for, the particular slave.
Alcinoë looked at me, startled. I gathered it had not occurred to her that the tunic might be too long.
Mariners of Gor     Book 30     Page 542

"You are attractive in your tunic," said Callias, "but I think we may shorten it, considerably."
"As Master wishes," she said.
Mariners of Gor     Book 30     Page 558

We turned about, to join the slaves, one in a scarlet tunic, one in a blue tunic, waiting at the land end of the pier.
Mariners of Gor     Book 30     Page 577




 


Winter/Cold Weather
To The Top

The slaves were now warmly garmented, though not, of course, as might have been free women. The robes of concealment in winter are much like those of gentler weathers, save for darker colors, more absorptive of, and retentive of, heat, heavier materials, some additional layering, and such. In the case of the slave a short, long-sleeved jacket, coming high on the hips, its length resembling that of a slave tunic, is worn over an undershirt. They are also put in trousers, belted with binding fiber. Whereas in the case of the free woman her legs are concealed within her enclosing garmenture, in the case of the slave, even in the winter, it is clear, however warmly they may be clothed, that she has legs, and that this is to be obvious to the scrutiny of men. The wrappings of the legs and calves is wool, over which leather is wrapped. The last garment is a warm, hooded cloak, which may be held closely about the body. Her face is commonly bared, except in severe weather, and, in any case, there is no mistaking her status, given her garmenture.
Swordsmen of Gor     Book 29     Pages 530 - 531











Adornments and Accessories
 


Belly Chain
To The Top

A tight belly chain, locked on her, running to a heavy ring in the wood, about a foot from her, secured her in place.
Explorers of Gor     Book 13     Page 453

"Then," said he, "I think we may now send you to your kennel, in a belly chain, its lock at your navel, your hands braceleted closely behind you, to the chain."
Dancer of Gor     Book 22     Page 246

"You wear the belly chain of a slave!" he cried.
Dancer of Gor     Book 22     Page 295

I was then naked, except for the belly chain. Its links were heavy. Whereas it is sometimes possible for a male to slip such a chain, because of his straight hips, they stay well on females. About our waists, between the flaring of our hips and the swelling of our bosoms, they find a natural, lovely and secure mounting. This chain was locked on me with a heavy padlock, from the back. In the front, linked to the chain, and dangling down from it, over my lower belly, was a heavy, medallionlike metal disk. On this disk, so that it could be read from the front, was a large, cursive "Kef," for "Kajira," a larger version of the same letter adorning my thigh.
Dancer of Gor     Book 22     Page 296

"Sometimes slave girls," I said, "are aroused and then put in their kennels with their hands braceleted behind their backs, held there with a belly chain, or a belly cord.
Vagabonds of Gor     Book 24     Page 358

Our hands had been braceleted behind our backs, to the belly chain, that we not be able to tear at the brand.
Witness of Gor     Book 26     Page 500

Ellen then stood as an erect, graceful slave before her master. From his pouch he withdrew a light belly chain, which hooked in front, with attached slave bracelets at the back of the chain. He then put her in the belly chain and bracelets, her hands braceleted behind her, at the small of her back. Given the flare of her hips, her hands would be kept there, at the small of her back.
Prize of Gor     Book 27     Page 310




 


Bina - Slave Beads
To The Top

The expression 'Bina' in Gorean means slave beads.
Slave Girl of Gor     Book 11     Page 158

Among slaves a handful of glass or wooden beads may confer a prestige that among free women might not be garnered with diamonds. Slave beads, too, and such simple adornments, bracelets, earrings, cosmetics, slave perfumes, and such, are well known for their effect in arousing the passions not only of the women themselves, but, too, it must be admitted, sometimes of their masters.
Vagabonds of Gor     Book 24     Page 50

The word "bina" is generally used to designate very pretty beads, but beads which, nonetheless, are cheap, common, and simple. They are usually of painted wood or glass. With such beads common slaves, if they are sufficiently pleasing, might hope to be permitted to adorn themselves. Sometimes slave girls fight fiercely over such beads. The best simple translation of "bina" is "slave beads."
Players of Gor     Book 20     Page 302




 


Body Chain
To The Top

I stepped away to one side and stopped before a blanket spread out on the boards. On the blanket, spread out, were dozens of pins and brooches, clasps and buckles, rings and necklaces, and bracelets and earrings, and bangles and armlets, and body chains.
Rouge of Gor     Book 15     Page 70

The loop of the body chain was some five feet in length. It was made to loop the throat of a woman several times, or, by alternative windings, to bedeck her body in a variety of fashions. The chain was not heavy, but, too, it was not light. It had a solid heft in one's hand. It was closely meshed and strong. It could be used, if a man wished, and perfectly, for purposes of slave security. It was decorated sensuously with colorful wooden beads, semiprecious stones and bits of leather. Detachable, but now attached to the chain at one point were two sets of clips, one of snap clips and one of lock clips. It is by means of these clips that the chain can be transformed from a simple piece of slave jewelry into a sturdy and effective device of slave restraint.
Rouge of Gor     Book 15     Page 71

She saw now that the chains had been the loops of a single, graceful body chain, sinuous and glossy, closely meshed and dark, ornamented with colorful beads of wood, semiprecious stones and bits of leather. Its full loop is some five feet in length, and it can be wound and looped, and twisted and strung about a woman's body in a variety of intricate fashions. It is light and the closeness of its meshing allows it to follow closely the contours of a woman's body. It is unbreakable. It may be worn with or without clothing. By means of small clips, snap clips or lock clips, it may be used to secure as well as adorn a woman. It is to be worn, of course, only by a slave.
Guardsman of Gor     Book 16     Page 281

The body chain I had purchased, though efficient, and attractive and sturdy, was not an expensive one. Some such chains, of course, such as those sometimes worn by high slaves, are quite expensive, being of gold and set with such stones as rubies, sapphires and diamonds.
Guardsman of Gor     Book 16     Page 283




 


Body Hood
To The Top

The sack I had drawn over her was an improvised body hood. There are several varieties of body hoods on Gor, which is not surprising in a society in which slavery, and particularly female slavery, is an essential ingredient. Most body hoods are made of leather or layers of stout canvas. I have seen at least one in which two layers of canvas were sewn about a lining of linked chain. They may be fastened by means of such devices as cords, straps and laces. They may be tied shut or locked shut.
The prisoner is entered into some body hoods from the back, her legs being placed through openings in the lower portion of the hood, the hood then being pulled up and, from the back, laced shut. Most of these hoods do not have openings for the arms, but some do. In most hoods the arms are confined within the hood, either free within the hood itself or bound or braceleted within it. Some hoods are open at the bottom, and fastened on the prisoner by means of thongs or straps, often looped about the thighs. Others are constructed in such a way that they may be opened at the bottom, for the master's convenience. Sometimes the hood is thrust up and fastened about the prisoner's waist.
The typical hood provides hand and arm security with the advantages of the blindfold. Most body hoods, unlike many common slave hoods, do not have provisions for an internal gag. The prisoner, of course, may be gagged before being hooded. The body hood, like the slave hood, tends to keep a female docile. This may be a particular advantage early in her training, when she may not yet fully understand her new nature and its meaning. Another advantage of the body hood is that it is intriguing and attractive on a woman, baring her legs but usually, unless the arms are also intriguingly bared, concealing the rest of her, this sort of thing exciting male interest, and yet in virtue of the predominant concealment afforded, making her seizure less likely than if she were lying about more exposed in common bonds.
Slavers, in moving their wares through the streets, sometimes place them in body hoods. To be sure, it is more common to throw a cloak or sheet, which might be of various lengths, over their heads, this usually being fastened on them by means of a cord or strap looped once or twice about the neck and fastened under the chin. In many cities free women object to the marching of naked slaves through the streets. Still, even though the girls may be covered with cloaks or sheets, the men will usually come to watch, and call out to them, and jeer, and such. It is understood, of course, that the girls, beneath those cloaks or sheets, are slave naked. It is sometimes very trying, though also perhaps very instructive, for a new slave, perhaps a woman of a conquered city, to be marched thusly through the streets, stung with pebbles, pinched and slapped, subjected to the most intimate forms of raillery, jocosity and abuse.
Renegades of Gor Book 23 Pages 151 - 152




 


Buttons
To The Top

I undid the five buttons, red, which ran from the throat of the garment to the waist. Buttons, interestingly, were a relatively recent innovation in some Gorean slavewear. They are not used on the garments of free persons. Most Gorean garments do not have buttons, but are slipped on, or held with brooches or pins. Hooks, however, are used with some frequency. Buttons, interestingly, are regarded as rather sensuous on Gor. Buttons, obviously, may be unbuttoned, or cut away with a knife, thus revealing the slave. Many masters do not permit a girl to button her tunic in the privacy of their compartments. When a slave opens the door of the master's compartment and kneels, head down, say, to admit a visitor, her garment may have been closed only an instant before. This is also true of a hooked slave garment.
Slave Girl of Gor     Book 11     Page 417




 


Earrings
To The Top

Many Gorean men apparently find pierced ears in a girl extremely provocative. Craftsmen of the metal workers, men specializing in the working of gold and silver, were concerned to work out new forms of jewelry for slave females.
Captive of Gor     Book 7     Page 167

We were pierced-ear girls, among the most exciting of slaves.
Captive of Gor     Book 7     Page 174

The piercing of the ears, however, is regarded as being the epitome of a slave girl's degradation. Any woman, it is said, with pierced ears, is a slave girl.
Marauders of Gor     Book 9     Page 113

Ear piercing, interestingly, from an Earth point of view, is regarded by most Gorean women, slave and free, as more degrading than the brand. Slave girls native to Gor dread it terribly, perhaps because it is so visible, the piercing of their flesh being so flagrantly erotic; what man would even think of freeing them if they had pierced ears? They beg their masters not to pierce their ears. Their pleas, those of slave girls, are commonly ignored. Their ears are pierced. Afterwards, it might be mentioned, they are usually pleased with the piercing of their ears, and grow quite proud of this erotic dimension added to their beauty;
Slave Girl of Gor     Book 11     Page 97

On Gor only slave girls have pierced ears. On Gor these girls, with pierced ears, could be only slaves. Yet how feminine was this, that they had had their ears pierced, they, though girls of Earth. Gorean free women often envied slave girls their pierced ears, though this would seldom be admitted.
Beasts of Gor     Book 12     Page 58

Pierced ears in a girl mean to a Gorean that she is a slave among slaves.
Explorers of Gor     Book 13     Page 96

She would soon have pierced ears, set well with golden rings, should she come into my ownership.
Explorers of Gor     Book 13     Page 119

Gorean men find pierced ears, as do many men of Earth, stimulatory. To the Gorean such ear-piercing speaks blatantly of bondage. Penetration of a woman's flesh is publicly symbolized, in her very body; the wounds inflicted on her were intended and deliberate; and her body has now been prepared to bear, fastened in its very flesh, barbaric ornamentation.
Blood Brothers of Gor     Book 18     Page 48

The growing prevalence of ear piercing probably has to do, at least significantly, with its tendency to stimulate the sexual aggression of the Gorean male. Accordingly, girls with pierced ears, "pierced-ear girls," tend to bring higher prices in the markets.
Blood Brothers of Gor     Book 18     Page 337

The sight of pierced ears tends to be profoundly sexually stimulating to many Gorean men, probably for several reasons, some of them perhaps subconsciously symbolic, having to do with softness, penetration, helplessness, bondage, and such.
Vagabonds of Gor     Book 24     Page 444




 


Fillets
To The Top

Her hair was very light, the color of summer straw; it was straight and bound simply behind the back of her neck with a small fillet of white wool.
Priest-Kings of Gor     Book 3     Page 33

She put her hands behind the back of her head to untie the purple fillet of rep-cloth.
Raiders of Gor     Book 6     Page 33

I looked down to the shore, and saw Cara, lovely in the brief woolen slave tunic, her hair bound back with the fillet of white wool.
Hunters of Gor     Book 8     Pages 64 - 65

Usually, however, the hair of slaves is worn long, and loose, or confined only in some simple way, as with a ribbon or woolen fillet.
Dancer of Gor     Book 22     Page 112

The girl laughed at her and with a toss of her auburn hair, bound in the Koora, ran off between the wagons.
Nomads of Gor     Book 4     Page 30




 


Gag
To The Top

Then, with a shrug in my direction, as if to ask my pardon, he went to the girl and took a handful of her long hair. He wadded it into a small, tight ball and suddenly shoved it in her mouth. It immediately expanded, and before she could spit the hair out, he had looped more of her hair about her head and tied it, in such a way as to keep the expanded ball of hair in her mouth. The girl choked silently, trying to spit the ball of hair from her mouth, but of course she could not. It was an old slaver's trick. I knew tarnsmen sometimes silenced their captives in the same way.
. . .
She whimpered. Any other sound she might have uttered was stifled by the gag of hair.
Outlaw of Gor     Book 2     Pages 188 - 190

I heard the girl's voice again. "Take dear Vancius," she was saying, "bind his wrists and ankles, and put him in a slave hood, one with a gag. I may use him for my pleasure later."
Assassin of Gor     Book 5     Page 336

I examined the gag. Heavy leather strips were bound tightly across her mouth, doubtless holding a heavy packing within, probably rep-cloth. Such a gag would not be pleasant to wear.
Raiders of Gor     Book 6     Page 286

A slave hood with gag, was placed on her, that her weeping and cries might not disturb our rest.
Captive of Gor     Book 7     Page 77

I felt the blade move between my cheek and the gag, cutting the gag free. I almost fainted. With my tongue I forced the packing from my mouth. I almost vomited.
Captive of Gor     Book 7     Page 123

Across the back of her dark hair I could see leather gag straps.
Captive of Gor     Book 7     Page 342

I looked upon Ilene. She was beautiful. I removed her gag, and kissed her. She looked at me, startled. I had no time to use her. I thrust the wadding again in her mouth, and fastened it tightly in place with the slave silk.
Hunters of Gor     Book 8     Page 192

"Gag her," said Vinca.
Again I thrust the heavy wadding of fur deep in Mira's mouth, and tied it securely in place with the strip, twisted, of panther skin.
Hunters of Gor     Book 8     Page 232

I wondered how she might feel, the gag hood drawn over her head from behind, locked shut behind her neck, stripped, thrown on her back over the saddle of a tarn, bound, swept away, with a beating of wings, into total bondage.
Marauders of Gor     Book 9     Pages 294 - 295

I saw a piece of cloth in his hand. It was large. I wept as it was wadded, painfully, in my mouth. He then secured it in place with a narrow piece of folded cloth which slipped deeply between my teeth. He then, with another three scarves, covering the bottom portion of my face, one over the other, completed the task of gagging the slave girl. I could not utter a sound.
Slave Girl of Gor     Book 11     Pages 230 - 231

They helped me from the stock and I, by its head, sank down to the dirt. I could scarcely move. I could still taste the heavy, coarse, sour wadding of the gag in my mouth. I would not have believed so effective a gag was possible. At that time, however, I had not worn the Gorean slave hood with gag-attachment.
Slave Girl of Gor     Book 11     Page 238

I sensed him remove, with a rustle of leather, an object from his tunic. Suddenly I felt the wadding of the gag of a slave hood thrust in my mouth and, with its straps, secured. It was done swiftly. I could utter no sound. I was gagged. Then the hood itself was pulled up and jerked down, over my head, and buckled under my chin.
Slave Girl of Gor     Book 11     Page 333

She was naked except for her collar and a leather-and-metal lock gag. Her mouth was closed. I saw the curved metal bars, rounded, about a quarter of an inch in diameter, emerging from the sides of her mouth. By means of a ratchet and pawl arrangement the device is fitted to the individual girl. It locks behind the back of the neck. It cannot be removed, even though the girl's hands are free.
Beasts of Gor     Book 12     Page 347

Her gag, no longer necessary on her as an instructional or disciplinary device, was that which now packed the pretty face of the dark-haired girl, she who had been her second in command, who now brought up the rear of the coffle.
Explorers of Gor     Book 13     Page 419

The gag was of leather, black, and effective. It buckled behind her neck with two buckles.
Fighting Slave of Gor     Book 14     Page 42

I fumbled with the knots on the gag. I loosened them and pulled the binding down about her neck. I pulled the deep, heavy wadding from her mouth.
Rogue of Gor     Book 15     Page 137

The slave regarded it with horror. It was a slave hood, with a gag attachment, common in many such hoods. "Do not kill me, Master!" begged the slave. "Please do not kill me!"
I thrust the thick, curled wadding of the gag deeply into her mouth. In her mouth it expanded. Then, using the cord and eyelets, I laced the two ends of the broad, flat binding surface, to which, in the front and the center, the wadding was attached, tightly together behind the back of her neck, She moaned. She was well gagged. She looked at me, wildly. It was a fitting gag for a slave, I thought.
Guardsman of Gor     Book 16     Page 195

There is more, cosmetically, which can be done with long hair and such hair, too, is often useful in the performance of intimate duties for her master. Too, of course, it can be balled and thrust in her mouth, for use as a gag, either, say, when one does not wish to hear her for a time, or, perhaps, if one wishes, to silence her cries in the throes of her submission spasms.
Savages of Gor     Book 17     Page 118

Something rounded and leathery was then thrust in my mouth, something attached at the back of a broad, leather rectangle, by one of the men behind me. There were straps and buckles attached to this and, apparently, a heavy, slotted leather pad which went behind the back of my neck. I felt the leather rectangle drawn tightly back and felt, too, the apparently slotted leather pad, through which the straps apparently passed, one above, and one below, pressing against the back of my neck. Then I winced as I felt the straps drawn back, even more tightly. Then they were buckled shut.
The apparatus was then fixed upon me. I had been effectively gagged.
. . .
I felt my bead pulled back. There was apparently a ring at the back of the leather pad now pressed so closely into the back of my neck.
. . .
Then I was thrust, in a sitting position, into the box. The ring at the back of the gag, doubtless sewn into the slotted leather pad, was snapped about a ring mounted at a matching height in the box.
Kajira of Gor     Book 19     Pages 33 - 34

My veil, not even unpinned, was wadded and thrust back, deeply in my mouth. I heard swords clashing. I was turned to the side and my robes of concealment were pulled forward and down, over my head. A narrow strap was then slung about my head and pulled back, deeply between my teeth, and tied tightly behind the back of my neck. This secured the entire arrangement.
Kajira of Gor     Book 19     Page 165 - 166

I then realized that no gag was needed to silence me. It could be done to me as simply and effectively by the will, or mere whim, of men such as these.
Dancer of Gor     Book 22     Page 48

When she had been used before my kennel she had been under "gag law," as is common when the guards use a girl, forbidden speech, save for moans and whimpers.
Dancer of Gor     Book 22     Page 65

It is all part of the hood, the leather ball, the strap attached at the front of it, and the belt, with its double loop, on the outside, held in place by the hood's belt loops, at its opening. Some hoods are little more than sacks, of canvas or leather, with drawstrings. The leather ball was thrust, by a thumb, into my mouth. I then felt its strap, attached at its front, drawn back between my teeth, and buckled behind the back of my neck. The hood itself was then placed over my head and some tucks were taken in it. It was then, by the double loop of the belt, passed twice about my neck, drawn shut. The hood was now closed about my neck. It was snug under my chin, held by the belt. The belt was then buckled shut behind the back of my neck, as the gag strap, inside the hood, had been. A small padlock, passed through two rings, the buckle ring and one of the small rings, sewn in the belt, now adjacent to it, secured the arrangement on me. I was locked in the hood.
Dancer of Gor     Book 22     Page 73

I wondered why we had been hooded, and had had heavy ball gags thrust in our mouths, and buckled back, in place.
Dancer of Gor     Book 22     Page 88

"Open your mouth," she said.
I did so, and felt a heavy, rolled-leather wadding thrust back, behind my teeth, over my tongue, so that I could scarcely move my tongue. This device would be secured in place by a broad, mouth-covering strap, with three smaller straps attached to it, one to secure the broad strap at the upper lip, another to secure it across the mouth, pulling it back between the teeth, and one to secure it at the chin. These straps were then pulled back tightly, and fastened, to the top strap above my ears, behind the back of my head, and the two lower straps behind the back of my neck. The roll in my mouth then loosened a little, as I could not help struggling with it, and this, by design, caused it to expand and, secured in place, pack my entire oral orifice.
Dancer of Gor     Book 22     Page 271

I then untied the gag strips from the back of her neck, and pulled away the gag. I then, carefully, delicately, removed the mass of sopped wadding from her mouth.
Renegades of Gor     Book 23     Page 361

I folded one scarf over several times, forming a narrow rectangle, several folds thick. This I placed beside her. I then rolled the other scarf into a tight, expandable ball. This I thrust into her mouth. It, in its expansion, filled the oral orifice. I then secured it in place with the first scarf, which I knotted tightly behind the back of her neck.
Vagabonds of Gor     Book 24     Page 64

I wanted to cry out to them, to shout at them, to tell them, to warn them! But the gag in my mouth was a Gorean gag. I could do little more in it then whimper, one whimper for "Yes," two for "No," in the common convention for communicating with a gagged prisoner, the verbal initiatives, the questions, and such, allotted not to the prisoner but to the interests or caprices of the captors.
Vagabonds of Gor     Book 24     Page 134

I was pleased that I had not been put in a metal-and-leather lock gag. In one common form of such a gag the sewn leather wadding, part of the gag itself, is commonly held in place by, and generally shielded from tampering by, a metal bar or strap, which locks behind the back of the neck. In another common form the "wadding" is a metal sphere, usually covered with leather, through which passes the metal locking bar or strap. A ratchet-and-pawl arrangement, in many cases, allows these to be exactly fitted. There are two general size ranges, a larger one for men and a smaller one for women. The advantage of this form of gag is that the prisoner cannot remove it, even though his hands are free. It is the smaller range of sizes in lock gags, as you might suppose, which is most commonly used. Indeed, they are seldom worn by men. They are almost always worn by slave girls. In such a case, most commonly, her master has her hands free to please and serve but need not, unless he wishes, hear her speak. The same effect, of course, may be achieved by an ordinary gag which she is forbidden to remove, or even the gagging "by her master's will," in which she is informed that she is not to speak, unless given permission. And indeed, in such a case, she may not even ask for such permission verbally, as is usually permitted to her. Speaking under conditions of imposed silence, of course, even so much as a word, is a cause for discipline. Vagabonds of Gor     Book 24     Page 165

Something similar occurs when a bound, stripped free woman is forced to hold a portion of her garments, perhaps a lovely, sliplike undergarment, between her teeth. This, as she is forbidden to drop it, acts as a de facto gag. Vagabonds of Gor     Book 24     Page 477

One interesting from of gag is being "gagged by the master's will," in which the woman is simply forbidden to speak, except, of course, for whimpers, in response to direct questions.
Witness of Gor     Book 26     Page 256

In being "gagged by the Master's will," one may not speak, even to request permission to speak.
Witness of Gor     Book 26     Page 453

The fellow with her drew forth from his pouch a lock gag. I had worn one only once, in training.
I pressed my head back, against the stone of the wall. I could not pull away from the slave ring, as I was leashed closely to it.
I made a tiny noise of protest as the leather pad, a part of the device, was thrust in my mouth. In a moment, with small adjustments, the entire device, of leather and metal, was fitted to me. It was then locked shut. I looked up at them, reproachfully.
The curved metal bars, well back between the teeth, where they cannot be slipped, holding the wadding in place, close behind the back of the neck. To these same bars, in front, is attached the binding. This binding is of thick, supple leather; it fits snugly, closely, to the contours of a girl's face and mouth; it had been drawn back, tight, on me; that is the way such things are worn; on the outside it is covered with hinged metal plates. It also, like the curving bars, goes behind the back of the neck. The whole then, the wadding bar, anchored deeply behind the teeth, holding the wadding in place, and the binding, with its protective plates, is secured with a single thrust lock. That had now been done.
I looked up at them.
How pleased was the Lady Constanzia!
They heavy wadding, or packing, was in my mouth, attached to the bar between my teeth. The binding was fastened tightly about my face; I could hardly move my lips within it; I tried to speak but could not, of course, even begin to do so.
They seemed amused.
I knelt there, I was well silenced; I was quite helpless.
I was in lock gag.
One of the advantages of the lock gag is that the girl cannot remove it, any more than a collar. She may thus serve in it with her hands free. To be sure, if the girl is disciplined, such a device is not necessary. An ordinary gag, which she is forbidden to touch, will suffice. Indeed, she may be simply "gagged by the master's will," and thus be forbidden to speak, even to beg permission to speak. There are various utilities of lock gags, which we need not note. One might observe, however, that they are occasionally useful with free female captives or even hysterical slaves. One utility which should be noted, particularly as I suspect that it may have been of interest to the Lady Constanzia and the fellow with her, is that, as the gag, with its plates and such, cannot be removed without a key or tool, it cannot be, say, conveniently undone, or cut away, by anyone who might wish to make inquiries of the captive or slave. A free man, thus, could not easily inquire of me, until the gag had been undone, the whereabouts of, say, a pretty slave and a fellow not of the city, a stranger, one clad in scarlet.
Witness of Gor     Book 26     Pages 465 - 466

He then turned to me and pulled my head up by the hair. He saw the hinged metal plates across my mouth, those attached to the gag's leather binding, the curved bars, inserted deeply between my teeth, emerging then at the sides of my mouth, curving about my neck, the whole locked behind the back of my neck, secured there with a thrust-lock. Witness of Gor     Book 26     Page 484

There are several varieties of lock-gags. One common variety consists of a short, leather-sheathed metal chain which, at its center, passes through a heavy ball-like packing. The packing is thrust back in the slave's mouth, over the tongue, filling the oral orifice, making it impossible for her to do more than moan or whimper. The two ends of the short chain are then drawn back, tightly, back between the teeth, this holding the packing in place. The ends of the chain are then taken back about the sides of the neck and brought together behind the back of the neck where they are fastened together with a small padlock. The gag's dislodgment must then, since it is locked on the slave, await the master's pleasure. Another common variety of lock-gag involves a pair of narrow, rounded, curved, hinged rods, the hinge embedded in a heavy, leather, ball-like packing. This packing, as before, is inserted into the slave's mouth and thrust back, over the tongue, denying her any capacity to speak. The rods, which are back, between the teeth, holding the packing in place, curve back about the sides of the face and meet behind the back of the neck, where the ends may lock together, or, if a padlock is used, be locked together. An advantage of a lock-gag is, of course, that the slave, while totally unable to speak, may yet attend to whatever other duties her master may set her. To be sure, a simple tie gag, which the slave is forbidden to remove, has the same effect. Too, of course, her mouth may be simply taped shut. Similarly, more mercifully, and at greater convenience to the master, she may be "gagged by the master's will." In that case she is simply forbidden to speak, save perhaps for moans and whimpers. She may, of course, speak later, once she has received permission to do so. If the slave is in lock-gag, one understands, there are certain pleasures she is unable to give the master.
Prize of Gor     Book 27     Page 134

She is likely to find herself instantly under the switch or whip, put in lock-gag, be forbidden human speech, be put in the discipline of the she-tarsk, or worse.
Swordsmen of Gor     Book 29     Pages 205 - 206

The common Gorean gag, whether associated with a hood or not, consists of wadding, or packing, and binding. It muffles sound quite effectively, and is commonly used if one, say, might wish to transport a bound capture between sleeping guards, conceal a back-braceleted woman in a wagon making its way through a city's gate, or such. The prisoner of such a device can make only tiny, miserable sounds. The usual code in such matters, if the prisoner is interrogated, is one sound for "Yes," and two for "No." The gag fixed on Miss Wentworth, in contrast, allows a good deal of noise, and would not do for the usual considerations of security. It does, however, share one virtue with the common gag, of course, which is that it makes articulate speech impossible. When a woman cannot speak she commonly feels frustrated and helpless. The blindfold, or hood, in its way, has a similar effect. One effect of the ball arrangement which is not shared with the common gag is that of making the woman appear ridiculous, her mouth widely opened, the ball in place. This attacks the vanity of the woman, with the consequence that she often becomes quite docile, hoping to be soon relieved of this indignity. Afterwards, a simple frown, or brief word, may be enough to silence her, perfectly. She does not wish to be again subjected to the humiliation of the ball and strap. She has then learned she may not speak, if men do not wish it. In passing, a bit gag might be mentioned. These may be fastened in place, or be as simple as a stick held between the teeth, which the woman is forbidden to drop. Both the ball gag and the bit gag are safer than the common gag, as they permit breathing through the mouth. A prisoner should never be left untended if fastened in a common gag. For example, if certain forms of distress occur, such as regurgitation, the gag should be torn free instantly. A captive is not to be lost, but brought safely to your chains.
The ball in Miss Wentworth's lovely, but widely distended mouth was blue, and the straps which held it in place, buckled behind the back of her neck, were yellow. These are the colors of the slavers.
Swordsmen of Gor     Book 29     Pages 205 - 206




 


Hook Bracelets
To The Top

I rose to my feet and went to the slave room to fetch the hook bracelets, leather cuffs with locks on them, and snaps; they are soft and the snaps, as opposed to the cuffs, require no key; some men enjoy them on their slaves; by means of the snaps the girl may be variously secured by the locked cuffs, her hands being fastened behind her or before her, or perhaps to her collar.
Slave Girl of Gor     Book 11     Page 297

"Would you please unsnap the hook bracelets?"
In an instant, with infuriating ease, she had opened the snaps, freeing my wrists, one from the other. I was furious. It was so simple. She who wears the bracelets, of course, cannot reach the snaps.
Slave Girl of Gor     Book 11     Pages 303 - 304




 


Nose Rings
To The Top

Tuchuk women, unveiled, in their long leather dresses, long hair bound in braids, tended cooking pots hung on tem-wood tripods over dung fires. These women were unscarred, but like the bosk themselves, each wore a nose ring. That of the animals is heavy and of gold, that of the women also of gold but tiny and fine, not unlike the wedding rings of my old world.
Nomads of Gor     Book 4     Page 27

following the branding, I supposed that Kamchak would have one of the tiny nose rings affixed; all Tuchuk females, slave or free, wear such rings;
Nomads of Gor     Book 4     Page 62

She was a very exciting, vital, proud girl and the tiny golden nose ring, against her brownish skin, with her flashing black eyes, did not detract from her considerable but rather insolent beauty.
Nomads of Gor     Book 4     Page 67

The light over the block took the glint of the tiny, fine nose ring in the nose of Elizabeth Cardwell.
The crowd gasped.
How startling, and incredibly beautiful she was!
Assassin of Gor     Book 5     Page 300

"Nose rings are nothing. They are even pretty. In the south even the free women of the Wagon Peoples wear nose rings." She held me more closely. "Even free women in the south," she insisted, "the free women of the Wagon Peoples, wear nose rings."
Captive of Gor     Book 7     Page 166

Interestingly, the piercing of the septum, for the insertion of a nose ring, is regarded, generally, a great deal more lightly by female slaves than the piercing of the ears Perhaps this is partly because, in the far south, the free women of the Wagon Peoples wear nose rings; perhaps it is because the piercing does not show; I do not know.
Marauders of Gor     Book 9     Page 113

Indeed, among the Tuchuks, one of the Wagon Peoples of Gor, even free women wear nose rings.
Explorers of Gor     Book 13     Page 92

Nose rings, interestingly, are not regarded in the same light. They are worn even by some free women, I understand, in the far south, the women of the Wagon Peoples there, as well as, generally, by the female slaves of such peoples.
Dancer of Gor     Book 22     Page 157

Goreans, incidentally, accept nose rings without any particular ado. Indeed, amongst the Wagon Peoples, where veiling is unknown, such rings are common even with free women.
Swordsmen of Gor     Book 29     Page 294

The common submission of a free woman, usually rendered in terror of her life, as amidst the flames of a burning city, is to kneel before the male, and lift her crossed wrists to him, her head bowed between her arms. In this way her submission is clear, and she is hoping to buy her life with her beauty, the crossed wrists, ready for binding, indicating that she is pleading to be accepted as a slave. If she is accepted, the wrists are usually bound, and she is expected to follow her captor docilely. Sometimes, of course, after this gesture, she is put to her belly, her wrists are bound indeed, but behind her, and a rope is put on her neck, or, sometimes, a nose ring, on a cord, is affixed, such things functioning as a leash or tether.
Mariners of Gor     Book 30     Page 564




 


Slave Bells
To The Top

She wore bells locked on both wrists, and on both ankles, thick cuffs and anklets, each with a double line of bells, fastened by steel and key.
Nomads of Gor     Book 4     Page 29

She wore five pieces of metal, her collar and locked rings on her wrists and ankles. Slave bells were attached to the collar and the rings.
Raiders of Gor     Book 6     Page 228

"Put her in slave bells," said Rask to one of the musicians. The musician fastened leather cuffs, mounted each with three rows of bells, on her wrists and ankles.
Captive of Gor     Book 7     Page 302

Ute went to the chest of silks and bells and brought forth five more slave bells, which she tied with bits of scarlet ribbon to my collar.
Captive of Gor     Book 7     Page 323

I heard, too, the sound of slave bells. They had been locked on her left ankle.
Hunters of Gor     Book 8     Page 169

I also purchased a set of slave bells, of the thong as opposed to the lock variety. They are less expensive than the lock variety; also, they may be tied at various places on the body, about the neck, the wrist, the ankle, about the thigh, about the arm, etc., it is delightful to bell a girl; she may not remove them, of course, without her master's permission.
Tribesmen of Gor     Book 10     Page 49

I hated the bells, so many, so tiny, hung about my body, which I could not remove, which would draw them to me. The sound was tiny, rich, and sensuous. They were slave bells. They would draw men to my body. I moved slightly. I felt them stir on my body and on the loops that held them. So slight a movement made them sound! I, miserable, was caught in their lewd, delicious rustle. I suppose the sound of the bells, objectively considered, is rather lovely. Yet theirs was a music of bondage, one which, in its tiny, delicious sounds, rustling, whispered, "Kajira. Kajira." They said, "You are nothing, Girl. You are a belled Kajira. You are nothing, Girl. You exist for the pleasure of men. Please them well, lovely Kajira." I shook my body, trying to throw the bells from me. I could not do so. In their jangling sound, helpless, I was held, betrayed. I could scarcely breathe without stirring the bells. I began to sweat, and fear. It was suddenly like finding oneself caught, imprisoned, hooded, in a net. No move I made was not betrayed by the bells. Most I hated the larger bell, of different note, fastened tightly at my left hip. It was a guide bell. I tried to free my hands. They had been tied by a warrior. I was helpless. I shuddered. And even so slight a movement was betrayed by the bells, indicating the exact position of she who wore them, the slave girl on whose body they were fastened.
Slave Girl of Gor     Book 11     Page 84

The rustle of the slave bells locked on her left ankle was subtle and sensual.
Rouge of Gor     Book 15     Page 226

On our left ankles we each wore a tied string of slave bells. These jangled sensuously when we moved.
Kajira of Gor     Book 19     Page 278

It is common, though not universal, to bell paga slaves. The jangle of slave bells on them, as they move, is quite stimulating.
Vagabonds of Gor     Book 24     Page 20

On Gor it is not unusual to bell a slave, and the erotic clash of such bells, slave bells, on an ankle, in the markets and parks, in the plazas and bazaars, is a frequently heard sound. And the same bells which serve so well to draw attention to a lovely, demurely tunicked slave in the sul market, her shopping basket balanced with one hand on her head, serve as well, doubtless, to record in their jangling her leapings and squirmings in the arms of her master.
Prize of Gor     Book 27     Page 546

There is no mistaking the sound of slave bells.
But these were not the proportioned janglings of such bells, measured to the step of a slave who well knows their effect on men, and uses them to present the slave of her. Just as women of one world may use attire, perfume, cosmetics, and such, or another robes, and sandals, and veils, to call attention, while haughtily pretending not to do so, to the flesh she is offering to a man, or the slave she is dangling before him, so a slave, who is owned, may use her bells variously, perhaps their sudden flash and sparkle to announce her presence in a room, perhaps their provocative and subtle whispering to accompany her labors, see me, Master, I am yours, perhaps that insolent jangle on the street which is unmistakably a brazen and proud proclamation of her bondage, that she has been found suitable for belling, perhaps that tiny sound, and moan, at the foot of her master's couch, which calls attention to her need.
Kur of Gor     Book 28     Page 185

To the side, there was a small sound of slave bells. They were fastened, with cord, about her left ankle.
Mariners of Gor     Book 30     Page 464




 


Slave Bracelets
To The Top

Unresisting, the girl extended her wrists, and the soldier snapped slave bracelets on them light, restraining bracelets of gold and blue stones that might have served as jewelry if it had not been for their function.
Tarnsman of Gor     Book 1     Page 102

I looked at the girl, now after her long days of suffering and flight at last a captive, her slender wrists encircled at last by Thorn's hated bracelets, beautifully wrought bracelets, like many, of exquisite workmanship, bright with color, set even with jewels, but like all slave bracelets, of unyielding steel.
Outlaw of Gor     Book 2     Page 62

The wrists of each were confined behind her back with gray slave bracelets.
Assassin of Gor     Book 5     Page 396

the three-linked slave bracelets of a Gorean master;
Raiders of Gor     Book 6     Page 55

And she wore ankle rings, and linked slave bracelets, again with shimmering droplets pendant upon them and a locked collar matching.
Raiders of Gor     Book 6     Page 100

They had been beautiful, in silver throat coffle, their wrists bound behind their backs in golden slave bracelets, kneeling as pleasure slaves among the jewels, the piled gold, and the heaps of silk and kegs of spices.
Raiders of Gor     Book 6     Page 232

I held the chain joining the slave bracelets. I shook it, that she might well feel the steel retainers on her wrists.
Hunters of Gor     Book 8     Page 83

I turned her about and, taking a pair of the rude iron slave bracelets of the north, black and common, which bond-maids are commonly secured locked her wrists behind her back.
Marauders of Gor     Book 9     Page 275

Before her body he locked her wrists in three-link slave bracelets.
Tribesmen of Gor     Book 10     Page 144

She wore on her throat a high, gold collar, with, in front, a large golden loop, some two inches in width. Threaded through this loop loose, was a golden chain. This chain terminated, at each end, with high, golden slave bracelets. When the girl stands her hands may fall naturally at her sides, each in its bracelet, each bracelet attached to the same chain, which passes through the collar loop.
Beasts of Gor     Book 12     Page 79

I thrust the tiny key into the locks on the slave bracelets and, with two small, heavy clicks, and an opening of metal, removed them from her.
Fighting Slave of Gor     Book 14     Page 96

"This is the key to your slave bracelets," he said. He showed me a key, on a string. He slung the string over my head and, by it, hung the key about my neck. It fell between my breasts. Much good it did me. I could not reach it with my braceleted hands.
Kajira of Gor     Book 19     Page 348

At the back of the belt, attached to it, was a pair of light manacles of the sort suitable for females, which I would learn are called "slave bracelets."
Dancer of Gor     Book 22     Page 218

There was a tiny sound of metal links.
The steel was tight on her small wrists.
That was not necessary, but it left her in no doubt that she was helpless.
She also did not doubt but what the tightness was intentional, and responsive to some instruction.
Slave bracelets were usually snug, but seldom tight.
Sometimes they were even rather loose, suggesting to a foolish girl the possibility of slipping them. But shortly, to her frustration, she learns she is held perfectly. The master, for his amusement, has been playing with her, and, in his way, instructing her.
. . .
Slave bracelets, designed for women, are often light and pretty, and are sometimes matched to outfits and such. Some, for high slaves, are bejeweled. Some might be worth the ransom of a Ubar. They can be matched to collars, as well, and shackles, and such. Some bracelets are fitted with lock rings, which can be snapped into one another, if and when desired. This resembles the leather slave cuffs worn by some girls in paga taverns. Similarly, some collars, leather or otherwise, have rings to which such snap rings may be conveniently fastened. To be sure, something as simple as leather binding fiber, such as commonly belts the common camisk, well serves for the general purposes of ready tethering. Common, too, are leashes. The style, grace, attractiveness, and lightness of slave bracelets does not detract from their utility. They are more than adequate to hold a female, and with perfection. Not all slave bracelets are pretty, and such, of course. Some are quite plain, and these might be preferred by some men for their slaves, perhaps for reasons of instruction, or economy, or to avoid an appearance of ostentation, or such. Too, warriors, tarnsmen, slavers, and such, might prefer plainer custodial devices for early captures, transportation, simple holding, and so on.
Prize of Gor     Book 27     Pages 171 - 172

"And slave bracelets are not designed to be slipped by their occupant," said Cabot. "They are manufactured to guarantee a female's utter helplessness."
Kur of Gor     Book 28     Page 514

"Why then should she be denied, as her own world would deny her, submission to the mastery, ropes on her ankles, her wrists pinioned behind her back in slave bracelets, a collar on her neck, her lips pressed obediently to a master's whip?"
Mariners of Gor     Book 30     Page 555




 


Slave Hood
To The Top

It was hot in the slave hood, of several layers of thick leather, stifling, locked under my chin and about my throat; further, this hood, like many, was so constructed as to ensure silence in a prisoner; leather wad that was packed in my mouth nor, because of the straps that held it in place, dislodge it.
Assassin of Gor     Book 5     Page 282

Her head was concealed in a slave hood, buckled under her chin. The construction of this hood was such that it served not only as blindfold but gag as well, the wadding being sewn to the inside of the hood, and it being held in place by laces, emerging through eyelets, tying behind the back of the neck. Such hoods are often used in the abduction of women, either slave or free. Their efficiency and convenience mandates their use, regardless of the legal or social status of the girl on whom they are placed.
Slave Girl of Gor     Book 11     Page 146

The wadding of the gag of the slave hood was rolled and thrust deep in my mouth. The gag straps were drawn back, deeply, between my teeth; I winced; then, behind the back of my neck, they were cinched, tightly.
I looked at Belisarius, bound and gagged before him.
"Use her for wench sport," he said, "and then return her to the Chatka and Curla."
The slave hood was pulled up, and opened, and then pulled down and over my head; it was folded and tucked under the chin, taking up its slack, and the leather belt, looped twice about my neck, was drawn through its loops, tightened and buckled shut.
Slave Girl of Gor     Book 11     Pages 338 - 339

This morning, to her consternation, I had fashioned a hood for Constantina, from opaque cloth, which artifact, once it was well on her, and completely enclosing her head, I fastened in place with some string about her throat.
Swordsmen of Gor     Book 29     Pages 142 - 143

Interestingly, each was hooded, the entire head covered in the hood, a slave hood. In such a device its prisoner is disoriented, and helpless, dependent for movement and direction on its custodian.
Swordsmen of Gor     Book 29     Page 557

As the cry of pain had been audible the hoods must not be gag hoods, hoods furnished with internal straps and packing. Such hoods are sometimes used in the abduction of free women, in order that they may be unable to call attention to their plight, perhaps while being transported through the streets and beyond the gates of their city, doubtless often within yards of guardsmen. I supposed, however, that the figures would have been forbidden speech. That is commonly forbidden to the hood's occupant.
Swordsmen of Gor     Book 29     Page 558




 


Slave Sack
To The Top

Then I felt my body doubled up and my feet slipped inside the mouth of a slave sack. The sack was drawn up, over my body; I sat, doubled up; my head was pushed down a bit; the sack was drawn shut over my head and, with a snap, locked shut.
Slave Girl of Gor     Book 11     Page 334

Inside I saw a slave sack and, formed of wood, a small, stout, cord-bound, thick-barred slave cage. Such cages are quite adequate for bound slaves. The hood was then drawn over my head and, by straps, buckled shut under my chin. My feet were kicked then fully from under me. In a moment I felt myself being thrust, doubled up, in a heavy leather sack. My head was then thrust down. The sack was tied shut over my head.
Fighting Slave of Gor     Book 14     Page 220

The sacks into which the girls had been inserted, naked and bound, were slave sacks. They are extremely stout, heavy sacks and heavily, and doubly, sewn. The intent of this is to make them sturdy leather prisons, containers from which a girl cannot escape and in which she is absolutely helpless. A consequence of the thickness of the material and the sturdiness of the construction, of course, is that the sack, almost inadvertently, affords the girl a great deal of protection.
Blood Brothers of Gor     Book 18     Page 390

Slave sacks, as you may have gathered, are known not only among the red savages but also among the men of the cities. Given their obvious utility, among men who own and master women, they may have arisen independently in both places. Their appearance in diverse loci, for example, need not imply borrowing. Such sacks, however, do have a utility among the men of the tower cities which they are not likely to have, or would seldom have, among the bold savages of the Barrens. To understand this utility it is well to understand that on Gor slaving, like marketing and farming, is a business. One of the problems which often arises in this business is that of getting the capture from, say, her own bedroom to your pens where she may be properly branded and collared, and taught to kiss and obey, later to be retailed naked from a suitable outlet, into her new life as a slave. Blood Brothers of Gor     Book 18     Page 395

I crawled into the sack, and it was pulled up, over my head, and laced shut I then felt it dragged across the floor. He then lifted it up, partly, I now sitting in it, and left it against a wall. He then left. The confinement was not intended to be one of full security, of course. If it had been, then I would have been bound and gagged within it, that I might be able, by fingernails or teeth, to attack seams or cut through the leather. Indeed, if I caused the least bit of damage to the slave sack, I had little doubt but what I would be well punished. Confinement in the slave sack is, incidentally, a form of punishment for a girl.
Kajira of Gor     Book 19     Page 273

"In the south," he said, "we often transport slaves hooded, or in covered cages. Sometimes we ship them in boxes, the air holes of which are baffled, so that they may not be seen through." I nodded. There are many such devices. One of the simplest and most common is the slave sack, into which the girl, gagged, and with her hands braceleted behind her back, is commonly introduced headfirst. These devices have in common the feature of ensuring the total helplessness of the slave and, if one wishes, her ignorance of her destination, route and such.
Vagabonds of Gor     Book 24     Page 125

Lying on the floor of the wagon there was a heavy leather slave sack, tied shut at the top. Two chains went to the sack, through the leather, one toward the top, the other toward the bottom. As the girl is preparing to enter the sack the bottom chain, with its slave ring, is locked about her left ankle. As she inches down, into the sack, the slack of this chain is taken up by the captor or master. If her hands are not, say, tied behind her in the sack, they are usually placed at her thighs, that her arms will be down, at her sides, when she is in the sack. When she is almost fully entered into the sack the collar on the neck chain, the collar within the sack, the chain entering it from the outside, is locked on her neck. She is then entered fully into the sack, and it is tied shut, usually about a foot above her head. The chains are fastened to the wagon, sometimes to the wheels, to impede their movement, or to other objects, for example, stakes or trees. The common slave sack, incidentally, is much simpler, commonly little more than a sturdy canvas or leather sack which may be tied, buckled or chained shut.
Vagabonds of Gor     Book 24     Page 388 - 389

Here and there, near the wagons, there were slave sacks some occupied, usually with tags on them. These, however were either locked shut, or tied or buckled shut. That could not be done from the inside.
Vagabonds of Gor     Book 24     Page 453

There were also open slave sacks of woven, metal cable, cables a quarter of an inch in thickness, some silverish, some black, some steel-colored, with apertures in the form of two to four-inch diamonds, which could be padlocked shut at the top. Prize of Gor     Book 27     Page 322
It is not uncommon for them to awaken in a stout, canvas slave sack, in which they can barely squirm, or bound hand and foot, say, on a carpet in an empty tent, or chained to a ring in the darkness. Swordsmen of Gor     Book 29     Page 382
 


Slave Strap
To The Top

She wore a slave strap, a heavy strap, buckling in the back. In the front, at her belly, there was, fixed in the strap, a plate and ring. Through the ring passed a chain, of some five inches in length, each end of which terminated in a bracelet. Her hands were confined before her body.
Hunters of Gor     Book 8     Page 65




 


Slave Veil
To The Top

The slave veil is a mockery, in its way. It reveals, as much as conceals, yet it adds a touch of subtlety, mystery; slave veils are made to be torn away, the lips of the master then crushing those of the slave.
Tribesmen of Gor     Book 10     Page 70




 


Kajira Talmit
To The Top

I looked up at Ute. "You wear the Kajira talmit," I said. "The first girl of the work slaves," said Ute, "had been sold shortly before my capture. There had been dissensions, factions, among the girls, each wanting one of their own party to be first girl. I was new. I had no allegiances. Rask of Treve, by his will, and because, for some reason, he trusted me, set me above them all."
Captive of Gor     Book 7     Page 286

"Note two who have entered," said Captain Nakamura, "just within the door, in shabby garb, each with his forehead obscured, by the talmit."
Such bands are usually signs of authority, worn by foremen, leaders of work gangs, first slaves, and such, though they may serve, too, simply to keep hair back, in place, away from the eyes, protect the eyes from the running of sweat, and so on.
They might, too, of course, serve to conceal any mark or sign which might be placed on the forehead. It would be rare, given the common meaning of the talmit, that of authority, to see two together, both in the talmit. To be sure, ranks can be signified by color, markings, and such.
Mariners of Gor     Book 30     Pages 507 - 508