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"are the positions of slave paces ever described in the order which they are supposed to be performed?"

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Slave paces are described as "detailed", "methodical" and "intricate ". However there is no detailed, intricate explanation of exactly what these paces are or in what order they are performed. Following are several quotes on the subject.

Fogaban

Then he began to put me rapidly through the paces of the exhibited female slave; he held me in each position for the sweet instant that well revealed me, tantalizingly, in that attitude or posture, and then barked forth a new command, to a new position or attitude; the sequence of these moves was not an accident; each move followed easily, sometimes by a roll or turn, from the preceding position; shrewd rhythm and flow, calculated and sensual, physically melodious, characterized the performance humiliatingly inflicted upon me; I must submit to the choreography of slave display; I, who had been Judy Thornton, a girl of Earth, was put through Gorean slave paces; then I lay on my belly at his feet, as I had begun; I was trembling; I was covered with sweat; my hair was loose about my head and eyes; I felt the auctioneer' s foot upon my body; I put my head to the block.
Slave Girl of Gor Book 11 Page 288

"On the block, of course," I said, "the girl is under the control of the auctioneer, who functions as her master while she is being sold. He will often exhibit her skillfully. A good auctioneer is very valuable to a slaver 's house. He will guide her with his voice, and touches, or strokes, of his whip. He may put her through slave paces on the block, forcing her to assume postures and attitudes. If she is a dancer, she may be forced to dance. She may be, if he sees fit, publicly caressed on the block."
Beasts of Gor Book 12 Page 244

"Stand!" said the merchant. "Head back! Hands behind head! Bend backwards! Farther! Farther!" He turned to us. "Acceptable," he said. Then to the girl he issued orders, rapidly, harshly. I watched, with interest, as the girl, tears in her eyes, responded to his swiftly issued, abrupt commands. For more than four Ehn he put her through a swift, staccato regimen of movement, a set of slave paces, assessment paces, designed to exhibit, vulnerably, decisively and publicly, her beauty, in all of it major attitudes and positions. "Hands on hips! Be insolent! Hands behind back! Hands crossed before you, as though bound! Hands at throat, as though chained to collar, fingers before mouth! Fall to the floor! Kneel! Head down! Head up! Bend backwards! Farther! Roll to the floor, on your side, on your back, right leg high, now flexed, left leg high, now flexed, to your side, right leg extended, palms on floor, left leg extended, palms on floor! Appear angry! Appear frightened! Appear aroused! Smile!" He did this with the same swift, expert objectivity, and clinical detachment, that physician might bring to a routine medical examination; this examination, of course, was a beauty examination, assessing the desirability of a female slave.
Tribesmen of Gor Book 10 Page 155

"Belly," he said.
She slipped to her belly on the deck, her hands up, beneath her shoulders. She lifted herself a little from the deck, lifting her head, still half concealed in hood, to Calliodorus and Aemilianus. Her lips were lovely, and trembling.
"Go to your back," said Calliodorus.
She lay on her back.
Suddenly she lifted one knee, and pointed her toes. She had realized then, suddenly, that something was being done to her analogous, in its small way, to putting a girl through slave paces. She tried her best to be appealing.
"To your belly, again," said Calliodorus.
He had hardly spoken before she was on her belly, as before.
Quick was she, she would show him, to obey.
"Kneel," he said.
She returned to her kneeling position.
Renegades of Gor Book 23 Page 364

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